Feeling media : potentiality and the afterlife of art /

"In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with wor...

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Bibliographic Details
Author / Creator: Sas, Miryam (Author)
Format: eBook Electronic
Language:English
Imprint: Durham : Duke University Press, 2022.
Subjects:
Online Access:Click here for full text at Project MUSE
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100 1 |a Sas, Miryam,  |e author.  |0 http://id.loc.gov/authorities/names/n94124035 
245 1 0 |a Feeling media :  |b potentiality and the afterlife of art /  |c Miryam Sas. 
264 1 |a Durham :  |b Duke University Press,  |c 2022. 
300 |a 1 online resource (ix, 304 pages) :  |b illustrations 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a The feeling of being in the contemporary age : the rise of intermedia -- Intermedia moments in Japanese experimental animation -- The culture industries and media theory in Japan : transformations in leftist thought -- A feminist phenomenology of media : Ishiuchi Miyako -- From postwar to contemporary art -- Moves like sand : community and collectivity in Japanese contemporary art. 
520 |a "In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with works and theorists outside Euro-America by offering a detailed exploration of the critical discourses and artistic practices of both influential as well as lesser-known theorists and artists. Through case studies, Feeling Media proposes an emergent framework of analysis for the humanities that the author terms the "affective scale." The book reads Japanese media theory as working thought, taking into account its complexity and global interconnectedness while resisting reductive linkages to dominant Euro-American theory. The book also performs a historiographic experiment, viewing two key periods of rapid media transformation in relation to one another, while attending to disparities and disjunctures between them."--  |c Provided by publisher. 
588 |a Description based on print version record. 
648 7 |a 1900-1999  |2 fast 
650 0 |a Affect (Psychology)  |x Social aspects. 
650 0 |a Arts, Japanese  |y 20th century.  |0 http://id.loc.gov/authorities/subjects/sh96010003 
650 0 |a Mass media  |x Philosophy. 
650 0 |a Mass media  |x Political aspects  |z Japan  |x History  |y 20th century. 
650 0 |a Mass media  |x Social aspects  |z Japan  |x History  |y 20th century. 
650 0 |a Popular culture  |z Japan  |x History  |y 20th century. 
650 7 |a Arts, Japanese  |2 fast 
650 7 |a Mass media  |x Philosophy  |2 fast 
650 7 |a Mass media  |x Political aspects  |2 fast 
650 7 |a Mass media  |x Social aspects  |2 fast 
650 7 |a Popular culture  |2 fast 
651 7 |a Japan  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Sas, Miryam.  |t Feeling media.  |d Durham : Duke University Press, 2022  |z 9781478015857  |z 9781478018490  |w (DLC) 2021054874  |w (OCoLC)1276778892 
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