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|2 23
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|a Jones, Douglas A.
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|a The captive stage :
|b performance and the proslavery imagination of the antebellum North /
|c Douglas A. Jones, Jr.
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|a Ann Arbor :
|b University of Michigan Press,
|c [2014]
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|a 1 online resource (x, 218 pages)
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|a text
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|a data file
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|a Theater: theory/text/performance
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|a Includes bibliographical references (pages 171-206) and index.
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|a Introduction: the "common sense" of slavery in the free Antebellum North -- Setting the stage of black freedom: parades and "presence" in the New Nation -- Black politics but not black people: early minstrelsy, "white slavery", and the wedge of "blackness" -- Washington and the slave: black deformations, proslavery domesticity, and re-staging the birth of the nation -- The theatocracy of antebellum social reform: "monkeyism" and the mode of romantic racialism -- Melodrama and the performance of slave testimony; or, William Wells Brown's Inability to Escape -- Epilogue: no exit, but a new stage.
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|a Print version record; resource not viewed.
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|a 1800-2899
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|a African Americans in the performing arts
|z Northeastern States
|x History
|y 19th century.
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|a Blackface entertainers
|z Northeastern States
|x History
|y 29th century.
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|a Race discrimination
|z Northeastern States
|x History
|y 19th century.
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|a Racism in popular culture
|z United States
|x History
|y 19th century.
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|a Slavery
|z United States
|x History
|y 19th century.
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|a White people
|z Northeastern States
|x History
|y 19th century.
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|a Race relations
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|a Racism in popular culture
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|a Slavery
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|a Northeastern States
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a History
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|i Print version:
|t Captive stage.
|d Ann Arbor : University of Michigan Press, [2014]
|z 9780472072262
|w (DLC) 2014003519
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|a Theater--theory/text/performance.
|0 http://id.loc.gov/authorities/names/n90667163
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|z Click here for full text at JSTOR
|u https://ezproxy.wellesley.edu/login?url=https://www.jstor.org/stable/10.3998/mpub.5306356
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