Disordered heroes in opera : a psychiatric report /
The retired psychiatrist and former music graduate John Cordingly examines twelve operatic heroes under six sub-categories of personality disorder. He justifies his view that they are not 'mad' by tracing the histories of mental disorder, sexuality and Byronism, and by placing each opera w...
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| Author / Creator: | |
|---|---|
| Other Authors / Creators: | Seymour, Claire, 1970- editor. |
| Format: | eBook Electronic |
| Language: | English |
| Imprint: | London : Plumbago Books, 2015. |
| Series: | Defining opera.
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| Subjects: | |
| Online Access: | Click here for full text at JSTOR |
| LEADER | 08254cam a2201357 i 4500 | ||
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| 100 | 1 | |a Cordingly, John, |e author. |0 http://id.loc.gov/authorities/names/n2015069306 | |
| 245 | 1 | 0 | |a Disordered heroes in opera : |b a psychiatric report / |c John Cordingly ; edited by Claire Seymour. |
| 264 | 1 | |a London : |b Plumbago Books, |c 2015. | |
| 300 | |a 1 online resource (xi, 203 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |2 rdaft | ||
| 347 | |b PDF | ||
| 490 | 1 | |a Defining opera | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a The retired psychiatrist and former music graduate John Cordingly examines twelve operatic heroes under six sub-categories of personality disorder. He justifies his view that they are not 'mad' by tracing the histories of mental disorder, sexuality and Byronism, and by placing each opera within its cultural context. He also considers what professional treatment is needed according to modern criteria. His gallery of heroes includes the hubristic Otello and Godunov, the psychopathic Iago and Claggart, the schizoid Wozzeck and Grimes, the borderline Werther and Herman, the narcissisticDon Giovanni and Onegin, and the repressed and melancholic Faust and Aschenbach. Each is considered within the overall design of their respective work. Cordingly also probes the reception of each opera and draws comparisons with cases from life. The book is a landmark in being the first of its kind and weaves a fascinating tapestry of concerns. It is also eminently readable. JOHN CORDINGLY (author) is a Fellow of the Royal College of Psychiatrists. CLAIRE SEYMOUR (editor) is Head of Senior College at Queen's College London and the author of The Operas of Benjamin Britten [Boydell Press]. | ||
| 505 | 0 | |a Disordered not mad -- The flawed personality : Otello and Boris -- The psychopathic personality : Iago and Claggart -- The (paranoid) schizoid personality : Wozzeck and Grimes -- The borderline personality : Werther and Hermann -- The histrionic and narcissistic personality : Don Giovanni and Onegin -- The depressed personality : Faust and Aschenbach. | |
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Onegin, Evgeniĭ |c (Fictitious character) |0 http://id.loc.gov/authorities/names/no2014114653 |
| 600 | 0 | 0 | |a Juan, |c Don (Legendary character) |0 http://id.loc.gov/authorities/names/n2016019014 |
| 600 | 1 | 0 | |a Massenet, Jules, |d 1842-1912. |t Werther. |0 http://id.loc.gov/authorities/names/n92061556 |
| 600 | 1 | 0 | |a Gounod, Charles, |d 1818-1893. |t Faust. |0 http://id.loc.gov/authorities/names/n84043347 |
| 600 | 1 | 0 | |a Britten, Benjamin, |d 1913-1976. |t Death in Venice. |0 http://id.loc.gov/authorities/names/no2001062204 |
| 600 | 1 | 0 | |a Tchaikovsky, Peter Ilich, |d 1840-1893. |t Evgeniĭ Onegin. |
| 600 | 1 | 0 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Don Giovanni. |0 http://id.loc.gov/authorities/names/n80008521 |
| 600 | 1 | 0 | |a Tchaikovsky, Peter Ilich, |d 1840-1893. |t Pikovai︠a︡ dama. |0 http://id.loc.gov/authorities/names/n83014177 |
| 600 | 1 | 0 | |a Berg, Alban, |d 1885-1935. |t Wozzeck. |0 http://id.loc.gov/authorities/names/no93007975 |
| 600 | 1 | 0 | |a Britten, Benjamin, |d 1913-1976. |t Peter Grimes. |0 http://id.loc.gov/authorities/names/no2003088671 |
| 600 | 1 | 0 | |a Verdi, Giuseppe, |d 1813-1901. |t Otello. |0 http://id.loc.gov/authorities/names/n81118752 |
| 600 | 1 | 0 | |a Britten, Benjamin, |d 1913-1976. |t Billy Budd. |0 http://id.loc.gov/authorities/names/no97078961 |
| 600 | 1 | 0 | |a Mussorgsky, Modest Petrovich, |d 1839-1881. |t Boris Godunov |n (1872) |0 http://id.loc.gov/authorities/names/n83056936 |
| 600 | 0 | 0 | |a Faust |c (Legendary character) |
| 600 | 1 | 0 | |a Aschenbach, Gustav von |c (Fictitious character) |0 http://id.loc.gov/authorities/names/n2022067040 |
| 600 | 0 | 2 | |a Juan, |c Don (Legendary character) |
| 600 | 1 | 2 | |a Massenet, Jules, |d 1842-1912. |t Werther. |
| 600 | 1 | 2 | |a Gounod, Charles, |d 1818-1893. |t Faust. |
| 600 | 1 | 2 | |a Britten, Benjamin, |d 1913-1976. |t Death in Venice. |
| 600 | 1 | 2 | |a Tchaikovsky, Peter Ilich, |d 1840-1893. |t Evgeniĭ Onegin. |
| 600 | 1 | 2 | |a Mozart, Wolfgang Amadeus, |d 1756-1791. |t Don Giovanni. |
| 600 | 1 | 2 | |a Tchaikovsky, Peter Ilich, |d 1840-1893. |t Pikovai͡a dama. |
| 600 | 1 | 2 | |a Berg, Alban, |d 1885-1935. |t Wozzeck. |
| 600 | 1 | 2 | |a Britten, Benjamin, |d 1913-1976. |t Peter Grimes. |
| 600 | 1 | 2 | |a Verdi, Giuseppe, |d 1813-1901. |t Otello. |
| 600 | 1 | 2 | |a Britten, Benjamin, |d 1913-1976. |t Billy Budd. |
| 600 | 1 | 2 | |a Mussorgsky, Modest Petrovich, |d 1839-1881. |t Boris Godunov |n (1872) |
| 600 | 0 | 7 | |a Juan, |c Don (Legendary character) |2 fast |
| 600 | 1 | 7 | |a Onegin, Evgeniĭ |c (Fictitious character) |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJyh7FTTXxG3YHj9XyjDMP |
| 630 | 0 | 7 | |a Billy Budd (Britten, Benjamin) |2 fast |
| 630 | 0 | 7 | |a Boris Godunov (Mussorgsky, Modest Petrovich) |2 fast |
| 630 | 0 | 7 | |a Death in Venice (Britten, Benjamin) |2 fast |
| 630 | 0 | 7 | |a Don Giovanni (Mozart, Wolfgang Amadeus) |2 fast |
| 630 | 0 | 7 | |a Evgeniĭ Onegin (Tchaikovsky, Peter Ilich) |2 fast |
| 630 | 0 | 7 | |a Faust (Gounod, Charles) |2 fast |
| 630 | 0 | 7 | |a Otello (Verdi, Giuseppe) |2 fast |
| 630 | 0 | 7 | |a Peter Grimes (Britten, Benjamin) |2 fast |
| 630 | 0 | 7 | |a Pikovai︠a︡ dama (Tchaikovsky, Peter Ilich) |2 fast |
| 630 | 0 | 7 | |a Werther (Massenet, Jules) |2 fast |
| 630 | 0 | 7 | |a Wozzeck (Berg, Alban) |2 fast |
| 600 | 1 | 7 | |a Aschenbach, Gustav von |c (Fictitious character) |2 fast |
| 600 | 0 | 7 | |a Faust |c (Legendary character) |2 fast |
| 650 | 0 | |a Heroes in opera |x Psychological aspects. | |
| 650 | 0 | |a Opera |x Psychological aspects. | |
| 650 | 0 | |a Iago (Fictitious character) |0 http://id.loc.gov/authorities/subjects/sh91004833 | |
| 650 | 0 | |a Mental illness. |0 http://id.loc.gov/authorities/subjects/sh85083643 | |
| 650 | 1 | 2 | |a Music |x psychology |0 https://id.nlm.nih.gov/mesh/D009146Q000523 |
| 650 | 2 | 2 | |a Mental Disorders |0 https://id.nlm.nih.gov/mesh/D001523 |
| 650 | 7 | |a mental disorders. |2 aat | |
| 650 | 7 | |a Iago (Fictitious character) |2 fast | |
| 650 | 7 | |a Opera |x Psychological aspects |2 fast | |
| 653 | |a Byronism. | ||
| 653 | |a character analysis. | ||
| 653 | |a cultural contexts. | ||
| 653 | |a mental disorder. | ||
| 653 | |a mental health. | ||
| 653 | |a opera. | ||
| 653 | |a operatic analysis. | ||
| 653 | |a operatic heroes. | ||
| 653 | |a personality disorder. | ||
| 653 | |a professional treatment. | ||
| 653 | |a psychiatric report. | ||
| 653 | |a psychological analysis. | ||
| 653 | |a sexuality. | ||
| 655 | 7 | |a Music criticism and reviews |2 fast | |
| 655 | 7 | |a Music criticism and reviews. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026130 | |
| 700 | 1 | |a Seymour, Claire, |d 1970- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjBch4R3tC8YT9k8RMWg4y |0 http://id.loc.gov/authorities/names/n2004066956 | |
| 776 | 0 | 8 | |i Print version: |a Cordingly, John. |t Disordered heroes in opera. |d London : Plumbago Books, 2015 |z 9780993198335 |w (DLC) 2015667163 |w (OCoLC)918879000 |
| 830 | 0 | |a Defining opera. |0 http://id.loc.gov/authorities/names/n2018182419 | |
| 856 | 4 | 0 | |z Click here for full text at JSTOR |u https://ezproxy.wellesley.edu/login?url=https://www.jstor.org/stable/10.7722/j.ctt1gr7ctj |
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