Musical ImagiNation : U.S-Colombian Identity and the Latin Music Boom.
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular m...
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| Author / Creator: | |
|---|---|
| Format: | eBook Electronic |
| Language: | English |
| Imprint: | New York : NYU Press, 2010. |
| Subjects: | |
| Online Access: | Click here for full text at JSTOR |
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| 100 | 1 | |a Cepeda, Maria Elena. | |
| 245 | 1 | 0 | |a Musical ImagiNation : |b U.S-Colombian Identity and the Latin Music Boom. |
| 260 | |a New York : |b NYU Press, |c 2010. | ||
| 300 | |a 1 online resource (268 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Acknowledgments; Introduction: Colombian Connections: Tracing the Boundaries of the Colombian Musical ImagiNation; 1 La crisis colombiana: Contextualizing the Political Moment; 2 A Miami Sound Machine: Deconstructing the Latin(o) Music Boom of the Late 1990s; 3 Shakira as the Idealized Transnational Citizen: Media Perspectives on Colombianidad in Transition; 4 Florecita rockera: Gender and Representation in Latin(o) American Rock and Mainstream Media; 5 The Colombian Vallenato acá y allá: Allegory for a Musical ImagiNation. | |
| 505 | 8 | |a 6 The Colombian Transcultural Aesthetic Recipe: Music Video in the "New" American StudiesAfterword: U.S.-Colombian Popular Music and Identity: Acknowledging the Transnational in the National; Notes; References; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; About the Author. | |
| 520 | |a Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most. | ||
| 588 | 0 | |a Print version record. | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 650 | 0 | |a Identity (Psychology) and mass media. |0 http://id.loc.gov/authorities/subjects/sh2002001144 | |
| 650 | 0 | |a Music trade |z Florida |z Miami. | |
| 650 | 0 | |a Music |x Social aspects |z United States |x History |y 20th century. | |
| 650 | 0 | |a Popular music |z Colombia |x History and criticism. | |
| 650 | 0 | |a Popular music |z Florida |z Miami |x History and criticism. | |
| 650 | 7 | |a Identity (Psychology) and mass media |2 fast | |
| 650 | 7 | |a Music trade |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 651 | 7 | |a Colombia |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJw4Fqg34rWwgmFXfvKKh3 | |
| 651 | 7 | |a Florida |z Miami |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxGXMGqf7JFFJ3WRhVV4q | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a Colombian. | ||
| 653 | |a crisis. | ||
| 653 | |a dynamics. | ||
| 653 | |a economic. | ||
| 653 | |a ImagiNation. | ||
| 653 | |a immigration. | ||
| 653 | |a metropolitan. | ||
| 653 | |a Miami. | ||
| 653 | |a Musical. | ||
| 653 | |a ongoing. | ||
| 653 | |a overview. | ||
| 653 | |a political. | ||
| 653 | |a provides. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cepeda, Maria Elena. |t Musical ImagiNation : U.S-Colombian Identity and the Latin Music Boom. |d New York : NYU Press, ©2010 |z 9780814716915 |
| 856 | 4 | 0 | |z Click here for full text at JSTOR |u https://ezproxy.wellesley.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctt9qg0k0 |
| 908 | |a JSTOR-Owned | ||
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| 994 | |a 92 |b WEL | ||