Melancholy drift : marking time in Chinese cinema /
This text looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively authored a distinct cinema of time across the realms of national and transnational film culture.
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| フォーマット: | eBook 電子媒体 |
| 言語: | English |
| Imprint: | Hong Kong : Hong Kong University Press, ©2010. |
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| オンライン･アクセス: | Click here for full text at JSTOR |