The philosophy of film noir /
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent...
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| Other Authors / Creators: | Conard, Mark T., 1965- |
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| Format: | eBook Electronic |
| Language: | English |
| Language notes: | English. |
| Imprint: | Lexington : University Press of Kentucky, ©2006. |
| Series: | Philosophy of popular culture.
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| Subjects: | |
| Online Access: | Click here for full text at JSTOR |