Art and identity in early modern Rome /
Saved in:
| Other Authors / Creators: | Burke, Jill, 1971- Bury, Michael, 1947- |
|---|---|
| Format: | Book |
| Language: | English |
| Imprint: | Aldershot, England ; Burlington, VT : Ashgate, [2008] |
| Subjects: | |
| Online Access: | Table of contents only |
Table of Contents:
- Introduction
- Part 1. Finding Patronage in Early Modern Rome
- Roma patria comune? Foreigners in early modern Rome
- The bishop and the artist: the quest for patronage in high Renaissance Rome
- Between Rome and Ferrara: the courtiers of the Este cardinals in the cinquecento
- Part 2. Cardinals and their Worldly Goods
- A cardinal in Rome
- Ippoloto d'Este in 1560
- Patronage rivalries: cardinals Oduardo Farnese and Pietro Aldobrandini
- Protector and protectorate: cardinal Antonio Barberini's art diplomacy for the French crown at the Papal court
- Part 3. Family Identity and the Papacy
- Old nobility versus new
- Colonna art patronage during the Barberini and Pamphilj pontificates (1623-1655)
- A taste for landscape: Innocent X and Palazzo Pamphilj in Piazza Navona
- Cardinal Camillo Massimo as art agent of the Altieri
- Part 4. The Papacy
- Individual and Institution
- 'Ruined, untended and derelict': 15th-century papal tombs in St Peter's
- Prince and pontiff: secular and spiritual authority in Papal State portraiture between Raphael's Julius II and the portraits if Pius V and Clement VIII
- Family and institutional identity: galleries of Barberini projects
- Bibliography
- Index