Entering the Picture : Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists.

In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and perfor...

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Bibliographic Details
Author / Creator: Fields, Jill.
Format: eBook Electronic
Language:English
Imprint: London : Taylor & Francis Group, 2011.
Series:New Directions in American History Ser.
Subjects:
Local Note:Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Online Access:Click to View
Table of Contents:
  • Cover
  • Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists
  • Copright
  • Contents
  • Plates and Figure
  • Preface and Acknowledgments
  • Introduction
  • Section I: Emerging: Views from the Periphery
  • 1. Becoming Judy Chicago: Feminist Class
  • 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy
  • 3. Reflections on the First Feminist Art Program
  • 4. Interview with Suzanne Lacy
  • 5. The First Feminist Art Program: A View from the 1980s
  • 6. Feminist Art Education: Made in California
  • Section II: Re-Centering: Theory and Practice
  • 7. Abundant Evidence: Black Women Artists of the 1960s and 1970s
  • 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program
  • 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno
  • 10. "Your Vagina Smells Fine Now Naturally"
  • 11. A Collective History: Las Mujeres Muralistas
  • 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979)
  • 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture
  • 14. The New York Feminist Art Institute, 1979-1990
  • 15. Our Journey to the New York Feminist Art Institute
  • Section III: Picturing: Transformation
  • 16. How I Became a Chicana Feminist Artist
  • 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present
  • 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism
  • 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art
  • 20. Marginal Discourse and Pacific Rim Women's Arts
  • 21. Curatorial Practice as Collaboration in the United States and Italy
  • 22. Feminist Activist Art Pedagogy: Unleashed and Engaged
  • List of Contributors.
  • Permission Acknowledgments
  • Index.