Hip Hop Beats, Indigenous Rhymes : Modernity and Hip Hop in Indigenous North America.
Argues that Indigenous hip hop is the latest and newest assertion of Indigenous sovereignty throughout Indigenous North America.
Saved in:
Author / Creator: | |
---|---|
Format: | eBook Electronic |
Language: | English |
Imprint: | Albany : State University of New York Press, 2018. |
Series: | SUNY Series, Native Traces Ser.
|
Subjects: | |
Local Note: | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
Online Access: | Click to View |
Table of Contents:
- Intro
- Contents
- Preface A Note on Language: Black English and Uncensored Mode
- Black Language
- Uncensored Speech
- Acknowledgments
- Introduction Can We Live and Be Modern and Indigenous?: Toward an Indigenous Hip Hop Culture
- Hip Hop Studies: A State of the Field and Why It Needs Indigeneity
- Indigenous Hip Hop: History of Black-Indigenous Cultural Exchange
- Indigenous Hip Hop and Modernity
- Indigenous Hip Hop, Settler Colonialism, and Cultural Sovereignty
- Settler Colonialism
- Organization of the Book
- Chapter One
- Indigenous Hip Hop: A Very Brief History
- Indigenous Hip Hop Goes Mainstream: MTV's Rebel Music: Native America
- A Commentary on the Curriculum
- First Out Here: Indigenous Hip Hop
- Between Modernity and Tradition
- Supaman, the "Prayer Loop Song," and the Politics of Authenticity
- From Red Power to Hip Hop
- Reeducation of the Red and White Man
- Chapter Two
- Introduction
- Representations of Indigeneity in Hip Hop Culture
- Miss Chief Rocka
- Chase Manhattan: Reappropriating Chief Heads
- "The Skin We Ink": Tattoos as Indigenous Hip Hop Aesthetic
- Photography: Ernie Paniccioli
- Conclusion
- Chapter Three
- Gender in Hip Hop Studies
- Indigenous Hip Hop as Indigenous Masculinity
- Frank Waln and "My Stone": How Native Women Helped Raise a Lakota Man
- Eekwol: Toward an Indigenous Hip Hop Feminist Framework
- Chapter Four
- Introduction
- Indigenous Imagery in Hip Hop Culture: T.I.
- Intersections: Chief, Snoop Lion, and "Blowed" and Misogyny
- Appropriating Blackness in Indigenous Hip Hop
- "Y'all Ain' the Only Ones": Indigenous People Appropriating Blackness
- Tall Paul and Black Cultural Appropriation: A Positive Approach?
- Anishinaabemowin: Promoting Cultural Sovereignty through Language
- Appropriating (Regressive) Black Masculinity.
- Indigenous Contributions to Black Lives Matter
- #FlintWaterCrisis
- Chapter Five
- Introduction
- Conclusion "It's bigger than Hip Hop": Toward the Indigenous Hip Hop Generation
- Indigenous Hip Hop as Hip Hop Studies
- The Move toward an Indigenous Hip Hop Generation
- Combating Youth Suicide
- Urban Indigenous People Are Indigenous, Too
- Missing and Murdered Indigenous Women, or #MMIW
- Revamping and Restoring Indigenous Masculinity
- Actually Walking with, beside, and, at Times, Behind Our Indigenous Sistas
- Activism
- Black-Indigenous Alliances
- The Language of Settler Colonialism: Or, Policing Indigenous Identity
- Hip Hop Indigenous Pedagogy: A Way Forward
- Notes
- Works Cited
- Index.