Derrick Puffett on Music.
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| Author / Creator: | |
|---|---|
| Other Authors / Creators: | Puffett, Dr. Kathryn. Puffett, Dr. Kathryn. |
| Format: | eBook Electronic |
| Language: | English |
| Edition: | 1st ed. |
| Imprint: | Florence : Taylor & Francis Group, 2001. |
| Subjects: | |
| Local Note: | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| Online Access: | Click to View |
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| 008 | 230701s2001 xx o ||||0 eng d | ||
| 020 | |a 9781351569743 |q (electronic bk.) | ||
| 020 | |z 9780754603993 | ||
| 035 | |a (MiAaPQ)EBC4907516 | ||
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| 035 | |a (OCoLC)993771913 | ||
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| 082 | 0 | |a 780 | |
| 100 | 1 | |a Puffett, KathrynBailey. | |
| 245 | 1 | 0 | |a Derrick Puffett on Music. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Florence : |b Taylor & Francis Group, |c 2001. | |
| 264 | 4 | |c ©2001. | |
| 300 | |a 1 online resource (830 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover -- Half Title -- Dedication -- Title Page -- Copyrigt Page -- Contents -- Acknowledgements -- Editor's Introduction -- PART I: THE ANALYST SPEAKS -- 1 Editorial: In Defence of Formalism -- 2 Schenker's 'Eroica' -- I -- II -- III -- IV -- PART II: LINER AND PROGRAMME NOTES -- 3 Wagner: Overtures and Orchestral Music -- 4 Richard Strauss: Tod und Verkliirung and Don Quixote -- 5 Richard Strauss: Symphonia Domestica and Parergon -- 6 The 'Tawdriness' of Salome -- PART III: ENGLISH MUSIC -- 7 A Nietzschean Libretto: Delius and the Text for A Mass of Life -- Circumstances of composition -- Delius's text in context -- Issues of form -- The libretto -- ERSTER TElL (PART ONE) -- ZWEITER TElL (PART TWO) -- 8 In the Garden of Fand: Arnold Bax and the 'Celtic Twilight' -- I -- II -- III -- IV -- V -- VI -- 9 The Fugue from Tippett's Second String Quartet -- I -- II -- III -- IV -- V -- 10 Tippett and the Retreat from Mythology -- I -- II -- III -- 11 ... an Analytical Offering (A. G. 1992) ... On Goehr's Homage to Bach -- Introduction -- Compositional technique -- Structure -- Conclusion -- Postscript -- Editorial note (from Finding the Key) -- PART IV: RUSSIAN AND FRENCH MUSIC -- 12 A Graphic Analysis of Musorgsky's 'Catacombs' -- 13 Eight Bars of Stravinsky: The Septet Revisited -- I -- II -- III -- IV -- V -- 14 Debussy's Ostinato Machine -- I -- II -- III -- PART V: OPERA -- 15 Siegfried in the Context of Wagner's Operatic Writing -- I -- II -- III -- IV -- 16 Schoeck's Operas: A Question of Genre -- 17 Some Reflections onLiteraturoper -- 18 Berg and German Opera -- A passage from Wozzeck -- German opera 1900-1920 -- Wozzeck reconsidered -- German opera 1920-1935 -- Lulu reconsidered -- Conclusion -- 19 Salome: an Introduction -- I -- II -- 20 Images of Salome -- 21 Strauss's Scenario for the 'Dance of the Seven Veils' -- 22 Salome as Music Drama. | |
| 505 | 8 | |a I -- II -- III -- IV -- V -- 23 Elektra: Beginnings -- I -- II -- III -- 24 The Music of Elektra: Some Preliminary Thoughts -- I -- II -- III -- IV -- 25 An Introduction to Der Rosenkavalier -- I -- II -- III -- PART VI: VIENNA -- 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs -- I -- II -- III -- IV -- 'Die Miidchen mit den verbundenen Augen' -- 'Lied der Jungfrau' -- 'Und kehrt er einst heim' -- 'Als ihr Geliebter schied' -- 'Die drei Schwestern' -- 'Sie kam zum SchloB gegangen' -- V -- VI -- VII -- 27 A Notational Peculiarity in Early Webem and its Implications -- 28 Gone with the Summer Wmd -- or, What Webem Lost -- I -- II -- III -- IV -- V -- VI -- VII -- VIII -- IX -- 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande -- I -- II -- III -- IV -- V -- THEMATIC ANALYSIS -- FIRST PART OF THE SYMPHONY -- SECOND PART OF THE SYMPHONY -- THIRD PART OF THE SYMPHONY -- FOURTH (AND LAST) PART OF THE SYMPHONY -- EPILOGUE -- 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6 -- Berg and Mahler -- Mahler's 'world' -- Symphonies, syncretism and the concept of the 'piece' -- Op. 6 viewed as a whole -- Prliludium -- Reigen -- Marsch -- PART VII: GERMAN MUSIC -- 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss -- I -- II -- III -- IV -- V -- 32 Bruckner's Way: The Adagio of the Ninth Symphony -- Preamble -- Bruckner, Laufer and Schenker -- Period analysis -- Bruckner's ways: the Adagio as 'narrative' -- 'Chronological journey' through the Periods -- The Holy Grail motive: Bruckner by way of Wagner -- Remarks on graphs and reductions -- Postscript -- Sources -- Index. | |
| 588 | |a Description based on publisher supplied metadata and other sources. | ||
| 590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | |a Music analysis. | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Puffett, Dr. Kathryn. | |
| 700 | 1 | |a Puffett, Dr. Kathryn. | |
| 776 | 0 | 8 | |i Print version: |a Puffett, KathrynBailey |t Derrick Puffett on Music |d Florence : Taylor & Francis Group,c2001 |z 9780754603993 |
| 797 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/well/detail.action?docID=4907516 |z Click to View |