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Rap (Music)
History and criticism
129
Hip-hop
83
Social aspects
68
Popular music
33
Political aspects
23
Rap musicians
22
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af Bradley, Adam.
Udgivet 2009
Available in ProQuest Ebook Central - Academic Complete.Udgivet 2009
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af Worsley, Shawan M.
Udgivet 2010
Available in ProQuest Ebook Central - Academic Complete.Udgivet 2010
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af Neff, Ali Colleen.
Udgivet 2009
Available in ProQuest Ebook Central - Academic Complete.Udgivet 2009
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af Zanfagna, Christina, 1980-
Udgivet 2017
Participants: "In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop--a movement merging Christianity and hip hop culture--to 'save' themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland's fractured terrains into musical Zions. Armed with beats, rhymes, and Bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna's fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences."--Provided by publisher.
Available in Knowledge Unlatched eBooks Collection.Udgivet 2017
Participants: "In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop--a movement merging Christianity and hip hop culture--to 'save' themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland's fractured terrains into musical Zions. Armed with beats, rhymes, and Bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna's fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences."--Provided by publisher.
Available in Books at JSTOR: Open Access.
Available in Project Muse Open Access ebooks.
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