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1

A short view of the immorality and profaneness of the English stage together with the sense of antiquity upon this argument /

by Collier, Jeremy, 1650-1726.
Imprint 1699

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2

The stage condemn'd, and the encouragement given to the immoralities and profaneness of the theatre, by the English schools, universities and pulpits, censur'd King Charles I Sundays mask and declaration for sports and pastimes on the Sabbath, largely related and animadverted upon : the arguments of all the authors that have writ in defence of the stage against Mr. Collier, consider'd, and the sense of the fathers, councils, antient philosophers and poets, and of the Greek and Roman States, and of the first Christian Emperours concerning drama, faithfully deliver'd : together with the censure of the English state and of the several antient and modern divines of the Church of England upon the stage, and remarks on diverse late plays : as also on those presented by the two universities to King Charles I.

by Ridpath, George, d. 1726.
Imprint 1698

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3

Theatrum redivivum, or, The theatre vindicated

by Baker, Richard, Sir, 1568-1645.
Imprint 1662

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4

A Defence of dramatick poetry being a review of Mr. Collier's View of the immorality and profaneness of the stage.

Imprint 1698

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5

The second part of the anatomie of abuses, containing the display of corruptions, with a perfect description of such imperfections, blemishes, and abuses, as now reigning in euerie degree, require reformation for feare of Gods vengeance to be powred vpon the people and countrie, without speedie repentance and conuersion vnto God: made dialogwise /

by Stubbes, Phillip.
Imprint 1583

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6

Histrio-mastix The players scourge, or, actors tragædie, divided into two parts. Wherein it is largely evidenced, by divers arguments, by the concurring authorities and resolutions of sundry texts of Scripture ... That popular stage-playes ... are sinfull, heathenish, lewde, ungodly spectacles, and most pernicious corruptions; condemned in all ages, as intolerable mischiefes to churches, to republickes, to the manners, mindes, and soules of men. And that the profession of play-poets, of stage-players; together with the penning, acting, and frequenting of stage-playes, are unlawfull, infamous and misbeseeming Christians. All pretences to the contrary are here likewise fully answered; and the unlawfulnes of acting, of beholding academicall enterludes, briefly discussed; besides sundry other particulars concerning dancing, dicing, health-drinking, &c. of which the table will informe you. By William Prynne, an vtter-barrester of Lincolnes Inne.

by Prynne, William, 1600-1669.
Imprint 1633

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7

Histrio-mastix The players scourge, or, actors tragædie, divided into two parts. Wherein it is largely evidenced, by divers arguments, by the concurring authorities and resolutions of sundry texts of Scripture ... That popular stage-playes ... are sinfull, heathenish, lewde, ungodly spectacles, and most pernicious corruptions; condemned in all ages, as intolerable mischiefes to churches, to republickes, to the manners, mindes, and soules of men. And that the profession of play-poets, of stage-players; together with the penning, acting, and frequenting of stage-playes, are unlawfull, infamous and misbeseeming Christians. All pretences to the contrary are here likewise fully answered; and the unlawfulnes of acting, of beholding academicall enterludes, briefly discussed; besides sundry other particulars concerning dancing, dicing, health-drinking, &c. of which the table will informe you. By William Prynne, an utter-barrester of Lincolnes Inne.

by Prynne, William, 1600-1669.
Imprint 1633

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8

Pierce Penilesse his supplication to the diuell. Written by Tho. Nash, Gent

by Nash, Thomas, 1567-1601.
Imprint 1592

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9

A defence of The short view of the profaneness and immorality of the English stage, &c. being a reply to Mr. Congreve's Amendments, &c. and to the vindication of the author of The relapse /

by Collier, Jeremy, 1650-1726.
Imprint 1699

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10

A second defence of the Short view of the prophaneness and immorality of the English stage, &c. being a reply to a book, entituled, The ancient and modern stages surveyed, &c. /

by Collier, Jeremy, 1650-1726.
Imprint 1700

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11

Reckoning with spirit in the paradigm of performance /

by Dox, Donnalee
Imprint 2016

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12

A refutation of the Apology for actors Diuided into three briefe treatises. Wherein is confuted and opposed all the chiefe groundes and arguments alleaged in defence of playes: and withall in each treatise is deciphered actors, 1. heathenish and diabolicall institution. 2. their ancient and moderne indignitie. 3. the wonderfull abuse of their impious qualitie. By I.G.

by I. G., fl. 1615.
Imprint 1615

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13

A short view of the immorality, and profaneness of the English stage together with the sense of antiquity upon this argument /

by Collier, Jeremy, 1650-1726.
Imprint 1698

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14

A short view of the immorality and profaneness of the English stage together with the sense of antiquity upon this argument /

by Collier, Jeremy, 1650-1726.
Imprint 1698

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15

A short view of the immorality and profaneness of the English stage together with the sense of antiquity upon this argument /

by Collier, Jeremy, 1650-1726.
Imprint 1698

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16

The usefulness of the stage, to the happiness of mankind, to government, and to religion occasioned by a late book written by Jeremy Collier, M.A. /

by Dennis, John, 1657-1734.
Imprint 1698

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17

A farther defence of dramatick poetry being the second part of the review of Mr. Collier's View of the immorality and profaneness of the stage /

by Settle, Elkanah, 1648-1724.
Imprint 1698

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18

An apology for actors Containing three briefe treatises. 1 Their antiquity. 2 Their ancient dignity. 3 The true vse of their quality. Written by Thomas Heywood.

by Heywood, Thomas, d. 1641.
Imprint 1612

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19

The actors vindication containing three brief treatises, viz., I. Their antiquity, II. Their antient dignity, III. The true use of their quality /

by Heywood, Thomas, d. 1641.
Imprint 1658

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20

Reflections on the stage, and Mr. Collyer's Defence of the short view in four dialogues.

by Oldmixon, Mr. 1673-1742.
Imprint 1699

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