The last time I came o'er the moor.

Imprint 1670

The power and pleasure of love. Is here describ'd an antidote of joy, against all grief, which doth the heart annoy; for the greatest monarch, clown, and fool, loves power doth conquer, and keeps all in rule: and those who love, and kind and constant be, live in a continued extasie; but those who do in sorrows constant dwell, were ne'r in love, and can't it's pleasure tell. To a new play-house tune: or, All joy to fair Psyche, &c.

Imprint 1674

I do as I will with my swain.

Imprint 1670

Loves fierce dispute. An excellent new song sung with its own proper tune.

Imprint 1670

The young man's answer to the loyal maidens complaint. To the same tune.

Imprint 1670

The miracle of nature, or, Some animadversions, upon the beauty, of one of the fairest dames that ever lived to let you ken, what is her name, therefore forebear, after her to spear, she is my Amorous Betty, for she's modest, wise, and pretty.

Imprint 1670

No creature is so false as man, or, The loyal maidens complaint against her disloyal lover. To the tune of, As I went early in the spring, &c.

Imprint 1670

If love's a sweet passion, &c. or, The passionate lover: When love and beauty doth agree, it is the best of company. Sung with its own proper tune.

Imprint 1670

Joy to the person of my love. or, A lovers complaint for the unkindness of his mistriss. To be sung with its own proper tune.

Imprint 1670

If love's a sweet passion, &c; or, The passionate lover. VVhen love and beauty doth agree, it is the best of companie. S[un]g with its own proper tune.

Imprint 1670

Omnia vincit amor.

Imprint 1670

Be valiant still &c a new song much in request, being the advice of an experienced lady in marital affairs, to her lover a young soldier, tune of An old carle to daunten me.,

Imprint 1670

The midsummer wish.

Imprint 1670

A lover complementing his mistriss, to the tune of, She's sweet like sugarcandie.

Imprint 1670

The famous woman-drummer: or the valiant proceedings of a maid which was in love with a soldier, and how she went with him to the wars, and also of many brave actions that she performed after he had made her his wife, shall here be exprest in this ensuing ditty. to the tune of wet and weary.

by L. P. fl. 1625-1680?
Imprint 1655

The lovers fancy. Or True love requited with constancy: being a civil discourse between John and Anne. The young man he was constant unto the end, the maid at last she prov'd his loving friend: young men and maids that stand to hear this song, then mind it well, do not each other wrong: young men, prove constant, faithful, true and just, and then the maids may better to you trust. To the tune of Loves fancy.

Imprint 1674

The constant country maid, or Innocent love at length rewarded. Which by these lines is here set forth in part the constant love, that lodged in her heart; which was by no means for to be remov'd, since she would venture all for him she lov'd: for which he did reward her at the last, and made amends for all her sorrows past. Tune of True love rewarded with loyalty.

Imprint 1670

True love rewarded with loyalty; or, mirth and joy after sorrow and sadness. This young man did walk in pensive manner, being a soldier under cupid's banner; in loving terms he did express his mind, still fearing that his love would prove unkind: but she to ease him from all future pain, did chear his heart, and grant him love again. To a new West-country tune, called, O hark my love; or, Flora farewel.

Imprint 1730

The sea man's farewel to his mistress, and her answer unto him. To its own proper tune.

Imprint 1694

The ladies lamentation, or, The commanders last farewel, who valiantly lost his life in the last engagement; for the loss of whom his loving lady laments. To the tune of, Loggan water, licensed according to order.

Imprint 1692