The hand at work : the poetics of poiesis in the Russian avant-garde /
"Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as...
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| Uniform title: | Hand am Werk. |
|---|---|
| Author / Creator: | |
| Other Authors / Creators: | Berlina, Alexandra, translator. |
| Format: | eBook Electronic |
| Language: | English German |
| Language notes: | Translated from the German. |
| Imprint: | Brookline, MA : Academic Studies Press, 2021. |
| Subjects: | |
| Online Access: | Click here for full text at JSTOR |
| LEADER | 05015cam a2200877 i 4500 | ||
|---|---|---|---|
| 001 | on1263250430 | ||
| 003 | OCoLC | ||
| 005 | 20240419060941.0 | ||
| 006 | m o d | ||
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| 008 | 210708t20212021maua ob 001 0 eng | ||
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| 020 | |a 1644697084 |q electronic book | ||
| 020 | |a 1644697092 |q electronic book | ||
| 020 | |a 9781644697085 |q electronic book | ||
| 020 | |a 9781644697092 |q (electronic bk.) | ||
| 020 | |z 9781644697078 |q hardcover | ||
| 035 | |a (OCoLC)1263250430 | ||
| 035 | 9 | |a (JSTOR-DDA)10.2307/j.ctv249sgq3 | |
| 037 | |a 22573/ctv249jg5p |b JSTOR | ||
| 040 | |a DLC |b eng |e rda |c DLC |d OCLCO |d OCLCF |d EBLCP |d JSTOR |d MZA |d OCLCO |d YDX |d N$T |d OCLCQ |d DEGRU |d OCLCO |d OCLCL | ||
| 041 | 1 | |a eng |h ger | |
| 042 | |a pcc | ||
| 043 | |a e-ur--- | ||
| 049 | |a WELX | ||
| 050 | 0 | 4 | |a PG3064.E94 |b S7713 2021 |
| 072 | 7 | |a ART |x 049000 |2 bisacsh | |
| 072 | 7 | |a LIT |x 004240 |2 bisacsh | |
| 072 | 7 | |a LIT |x 006000 |2 bisacsh | |
| 082 | 0 | 0 | |a 891.709/1109041 |2 23 |
| 100 | 1 | |a Strätling, Susanne, |e author. |0 http://id.loc.gov/authorities/names/n2006015333 | |
| 240 | 1 | 0 | |a Hand am Werk. |l English |s (Berlina) |
| 245 | 1 | 4 | |a The hand at work : |b the poetics of poiesis in the Russian avant-garde / |c Susanne Strätling ; translated by Alexandra Berlina. |
| 264 | 1 | |a Brookline, MA : |b Academic Studies Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xxii, 325 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Translation of: Die Hand am Werk : Poetik der Poiesis in der russischen Avantgarde. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Speaking. From hand to mouth -- Writing. Letters at play -- Pointing. Theatre between performance and perception -- Working. The word as a tool -- Acting. Poetics of operativity (Sergei Tretyakov) -- Giving. Poetics of life -- Touching. Tactile text experiments -- Toward a philology of the hand. | |
| 520 | |a "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"-- |c Provided by publisher. | ||
| 546 | |a Translated from the German. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on May 23, 2022). | ||
| 648 | 7 | |a 1900-1999 |2 fast | |
| 650 | 0 | |a Arts, Russian |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z Russia |x History |y 20th century. | |
| 650 | 0 | |a Avant-garde (Aesthetics) |z Soviet Union. | |
| 650 | 0 | |a Experimental poetry, Russian |y 20th century |x History and criticism. | |
| 650 | 0 | |a Gesture in art. |0 http://id.loc.gov/authorities/subjects/sh85054728 | |
| 650 | 0 | |a Gesture in literature. |0 http://id.loc.gov/authorities/subjects/sh85054730 | |
| 650 | 0 | |a Hand in art. |0 http://id.loc.gov/authorities/subjects/sh85058632 | |
| 650 | 0 | |a Hand in literature. |0 http://id.loc.gov/authorities/subjects/sh97004391 | |
| 650 | 0 | |a Literature, Experimental |z Russia |y 20th century |x History and criticism. | |
| 650 | 0 | |a Literature, Experimental |z Soviet Union |x History and criticism. | |
| 650 | 7 | |a Arts, Russian |2 fast | |
| 650 | 7 | |a Avant-garde (Aesthetics) |2 fast | |
| 650 | 7 | |a Experimental poetry, Russian |2 fast | |
| 650 | 7 | |a Gesture in art |2 fast | |
| 650 | 7 | |a Gesture in literature |2 fast | |
| 650 | 7 | |a Hand in art |2 fast | |
| 650 | 7 | |a Hand in literature |2 fast | |
| 650 | 7 | |a Literature, Experimental |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 651 | 7 | |a Soviet Union |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Berlina, Alexandra, |e translator. |0 http://id.loc.gov/authorities/names/no2013132700 | |
| 765 | 0 | 8 | |i Translation of: |a Strätling, Susanne. |t Hand am Werk. |
| 776 | 0 | 8 | |i Print version: |a Strätling, Susanne. |t Hand at work |d Boston : Academic Studies Press, 2021 |z 9781644697078 |w (DLC) 2021033453 |
| 856 | 4 | 0 | |z Click here for full text at JSTOR |u https://ezproxy.wellesley.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv249sgq3 |
| 908 | |a JSTOR-DDA | ||
| 909 | |a 10.2307/j.ctv249sgq3 | ||
| 910 | |a Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 994 | |a 92 |b WEL | ||