Making senses of the past : toward a sensory archaeology /

Since the nineteenth century, museums have kept their artifacts in glass cases to better preserve them, and drawings and photographs have become standard ways of presenting the past. These practices have led to an archaeology dominated by visual description, even though human interaction with the su...

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Bibliographic Details
Other Authors / Creators:Day, Jo
Other Corporate Authors / Creators:Southern Illinois University at Carbondale. Center for Archaeological Investigations.
Format: eBook Electronic
Language:English
Imprint: Carbondale : Center for Archaeological Investigations, Southern Illinois University Carbondale and Southern Illinois University Press, [2013]
Series:Occasional paper (Southern Illinois University Carbondale. Center for Archaeological Investigations) ; no. 40.
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Description
Summary:Since the nineteenth century, museums have kept their artifacts in glass cases to better preserve them, and drawings and photographs have become standard ways of presenting the past. These practices have led to an archaeology dominated by visual description, even though human interaction with the surrounding world involves the whole body and all of its senses. In the past few years, sensory archaeology has become more prominent, and this book is one of the first collected volumes on this subject. This book presents cutting-edge research on theoretical issues. The essays presented here take readers on a multisensory journey around the world and across time. In ancient Peru, a site provides sensory surprises as voices resound beneath the ground and hidden carvings slowly reveal their secrets. In Canada and New Zealand, the flicker of reflected light from a lake dances on the faces of painted rocks and may have influenced when and why the pigment was applied. In Mesopotamia, vessels for foodstuffs build a picture of a past cuisine that encompasses taste and social activity in the building of communities. While perfume and flowers are examined in various cultures, in the chamber tombs of ancient Roman Palestine, we are reminded that not all smells are pleasant. This book explores alternative ways to perceive past societies and offers a new way of wiring archaeology that incorporates the senses.
Since the nineteenth century, museums have kept their artifacts in glass cases to better preserve them, and drawings and photographs have become standard ways of presenting the past. These practices have led to an archaeology dominated by visual description, even though human interaction with the surrounding world involves the whole body and all of its senses. In the past few years, sensory archaeology has become more prominent, and Making Senses of the Past is one of the first collected volumes on this subject. This book presents cutting-edge research on new theoretical issues. The essays presented here take readers on a multisensory journey around the world and across time.<br> <br> In ancient Peru, a site provides sensory surprises as voices resound beneath the ground and hidden carvings slowly reveal their secrets. In Canada and New Zealand, the flicker of reflected light from a lake dances on the faces of painted rocks and may have influenced when and why the pigment was applied. In Mesopotamia, vessels for foodstuffs build a picture of a past cuisine that encompasses taste and social activity in the building of communities. While perfume and flowers are examined in various cultures, in the chamber tombs of ancient Roman Palestine, we are reminded that not all smells are pleasant. Making Senses of the Past explores alternative ways to perceive past societies and offers a new way of wiring archaeology that incorporates the senses.<br>
Physical Description:1 online resource (xiii, 429 pages) : illustrations, maps
Bibliography:Includes bibliographical references and index.
ISBN:9780809332878
0809332876
9780809333134
0809333139
Author Notes:Jo Day is a lecturer in classical archaeology and curator of the Classical Museum at University College Dublin. In 2010, she organized the Annual Visiting Scholar Conference at the Center for Archaeological Investigations at Southern Illinois University Carbondale, where much of the work from this collection was first presented. In addition to her contributions on the archaeology of Crete to scholarly journals and other edited volumes, Day is coeditor of the forthcoming work SOMA 2004: Symposium on Mediterranean Archaeology.