From 1989, or European music and the modernist unconscious /
"What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European "New Music," Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center-stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; o...
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| Author / Creator: | |
|---|---|
| Format: | eBook Electronic |
| Language: | English |
| Imprint: | Oakland, California : University of California Press, [2017] |
| Subjects: | |
| Online Access: | Click here for full text at JSTOR |
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| 100 | 1 | |a Brodsky, Seth, |d 1975- |e author. |0 http://id.loc.gov/authorities/names/no2007115293 | |
| 245 | 1 | 0 | |a From 1989, or European music and the modernist unconscious / |c Seth Brodsky. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; FROM 1989, OR EUROPEAN MUSIC AND THE MODERNIST UNCONSCIOUS; Title; Copyright; Dedication; CONTENTS; List of Illustrations; Acknowledgments; Introduction: "But supposing He does not come"; PART ONE. FREE; 1. Drei Phantasiestücke (1); 2. Fantasy & Fantasy (1); 3. Drei Phantasiestücke (2); 4. Fantasy & Fantasy (2); 5. Drei Phantasiestücke (3); PART TWO. NEW; 6. Freiheitsdreck (1); 7. Music & New Music (1); 8. Fantasy & Fantasy (3); 9. Freiheitsdreck (2); 10. Freiheitsdreck (3); PART THREE. AGAIN; 11. Repetition (1); 12. Repetition (2); 13. Repetition (3); 14. Repetition (4). | |
| 505 | 8 | |a 15. Music & New Music (2)Notes; Index. | |
| 520 | |a "What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European "New Music," Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center-stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing "joy" to "freedom" in Beethoven's Ninth; or David Hasselhoff lip-syncing "Looking for freedom" to thousands on New Year's Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing it restages earlier scenes of modernism. As world politics witnesses a turning-away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution-to-come"--Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 650 | 0 | |a Modernism (Music) |z Europe. | |
| 650 | 0 | |a Music |z Europe |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |z Europe |y 20th century |x Philosophy and aesthetics. | |
| 650 | 0 | |a Nineteen eighty-nine, A.D. |0 http://id.loc.gov/authorities/subjects/sh92001797 | |
| 650 | 7 | |a Modernism (Music) |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Nineteen eighty-nine, A.D. |2 fast | |
| 651 | 7 | |a Europe |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq | |
| 653 | |a 1980s. | ||
| 653 | |a 1989. | ||
| 653 | |a analysis. | ||
| 653 | |a composer. | ||
| 653 | |a composition. | ||
| 653 | |a european music. | ||
| 653 | |a european new music. | ||
| 653 | |a global. | ||
| 653 | |a history of music. | ||
| 653 | |a international. | ||
| 653 | |a lacan. | ||
| 653 | |a lacanian. | ||
| 653 | |a modern music. | ||
| 653 | |a music genres. | ||
| 653 | |a music history. | ||
| 653 | |a music scholar. | ||
| 653 | |a music trends. | ||
| 653 | |a music. | ||
| 653 | |a musical composition. | ||
| 653 | |a musical innovation. | ||
| 653 | |a musical modernism. | ||
| 653 | |a musical revolution. | ||
| 653 | |a new music. | ||
| 653 | |a politics. | ||
| 653 | |a revolution. | ||
| 653 | |a songwriting. | ||
| 653 | |a world music. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Brodsky, Seth, 1975- |t From 1989, or European music and the modernist unconscious. |d Oakland, California : University of California Press, [2017] |z 9780520279360 |w (DLC) 2016040759 |w (OCoLC)958262852 |
| 856 | 4 | 0 | |z Click here for full text at JSTOR |u https://ezproxy.wellesley.edu/login?url=https://www.jstor.org/stable/10.1525/j.ctt1k85cqf |
| 908 | |a JSTOR-EBA | ||
| 909 | |a 10.1525/j.ctt1k85cqf | ||
| 910 | |a Books at JSTOR Evidence Based Acquisitions | ||
| 994 | |a 92 |b WEL | ||