The Dinner Party : Judy Chicago and the Power of Popular Feminism, 1970-2007 /

Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. The author examines the piece's popularity to understand how ideas about...

Full description

Saved in:
Bibliographic Details
Author / Creator: Gerhard, Jane F. (Author)
Format: eBook Electronic
Language:English
Language notes:English.
Imprint: Athens, GA : The University of Georgia Press, [2013]
Series:Since 1970.
Subjects:
Online Access:Click here for full text at Project MUSE
LEADER 04841dam a2200709 a 4500
001 ocn842264866
003 OCoLC
005 20240607042418.0
006 m o d
007 cr cnu---unuuu
008 130509s2013 gau ob s001 0 eng d
020 |a 0820345687  |q (electronic bk.) 
020 |a 9780820345680  |q (electronic bk.) 
020 |z 0820336750 
020 |z 0820344575 
020 |z 9780820336756 
020 |z 9780820344577 
035 |a (OCoLC)842264866 
035 9 |a (muse)9780820345680 
037 |a 22573/ctt3q4qmp  |b JSTOR 
037 |a AD9D2558-DF7E-4A40-9825-C6A4C807BC15  |b OverDrive, Inc.  |n http://www.overdrive.com 
040 |a N$T  |b eng  |e pn  |c N$T  |d OCLCO  |d E7B  |d YDXCP  |d EBLCP  |d OCLCA  |d MHW  |d MEAUC  |d P@U  |d JSTOR  |d CUS  |d TEFOD  |d COO  |d OCLCO  |d NLGGC  |d OCLCQ  |d TEFOD  |d OCLCQ  |d TEFOD  |d OCLCQ  |d LOA  |d AGLDB  |d MOR  |d PIFAG  |d VGM  |d ZCU  |d MERUC  |d OCLCQ  |d JBG  |d IOG  |d U3W  |d EZ9  |d OCL  |d OCLCO  |d STF  |d WRM  |d VTS  |d NRAMU  |d ICG  |d INT  |d VT2  |d AU@  |d OCLCQ  |d OCLCO  |d WYU  |d TKN  |d DKC  |d OCLCQ  |d M8D  |d OCLCQ  |d OCLCO  |d UKAHL  |d ESU  |d MM9  |d KMS  |d OCLCO  |d OCL  |d INARC  |d OCLCO  |d OCLCQ  |d QGK  |d OCLCO  |d OCLCL  |d OCLCQ 
043 |a n-us--- 
049 |a WELX 
050 4 |a NK4605.5.U63  |b C482 2013eb 
072 7 |a ART  |x 016010  |2 bisacsh 
072 7 |a ART  |x 016020  |2 bisacsh 
072 7 |a ART  |x 016030  |2 bisacsh 
072 7 |a HIS037080  |2 bisacsh 
072 7 |a SOC022000  |2 bisacsh 
072 7 |a SOC028000  |2 bisacsh 
082 0 4 |a 709.2  |2 23 
100 1 |a Gerhard, Jane F.,  |e author.  |0 http://id.loc.gov/authorities/names/n00097202 
245 1 4 |a The Dinner Party :  |b Judy Chicago and the Power of Popular Feminism, 1970-2007 /  |c Jane F. Gerhard. 
264 1 |a Athens, GA :  |b The University of Georgia Press,  |c [2013] 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Since 1970: Histories of contemporary America 
504 |a Includes bibliographical references and index. 
505 0 |a Toward a cultural history of The Dinner Party -- Making feminist artists : the feminist art programs of Fresno and CalArts, 1970-1972 -- Making feminist art : Womanhouse and the feminist art movement, 1972-1974 -- The studio as a feminist space : practicing feminism at The Dinner Party, 1975-1979 -- Joining forces : making art and history at The Dinner Party, 1975-1979 -- Going public : The Dinner Party in San Francisco, 1979 -- The tour that very nearly wasn't : The Dinner Party's alternative showings, 1980-1983 -- Debating feminist art : The Dinner Party in published and unpublished commentary, 1979-1989 -- From controversy to canonization : The Dinner Party in the culture wars, 1990-2007 -- A prehistory of post feminism. 
520 |a Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. The author examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century. More than most social movements, feminism was transmitted and understood through culture-art installations, Ms. Magazine, All in the Family, and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s. The author analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. 
546 |a English. 
588 0 |a Print version record. 
600 1 0 |a Chicago, Judy,  |d 1939-  |t Dinner party.  |0 http://id.loc.gov/authorities/names/n98087964 
600 1 0 |a Chicago, Judy,  |d 1939-  |x Criticism and interpretation. 
600 1 1 |a Chicago, Judy,  |d 1939-  |x Criticism and interepretation. 
600 1 1 |a Chicago, Judy,  |d 1939-  |t Dinner party. 
600 1 7 |a Chicago, Judy,  |d 1939-  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJqFPVJGYYBQd9rG3wrTHC 
630 0 7 |a Dinner party (Chicago, Judy)  |2 fast 
650 0 |a Feminism  |z United States. 
650 7 |a Feminism  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Gerhard, Jane F.  |t Dinner Party.  |d Athens, GA : The University of Georgia Press, 2013  |z 9780820336756  |w (DLC) 2012043503  |w (OCoLC)816655478 
830 0 |a Since 1970.  |0 http://id.loc.gov/authorities/names/no2011080301 
856 4 0 |z Click here for full text at Project MUSE  |u https://ezproxy.wellesley.edu/login?url=https://muse.jhu.edu/book/22788 
908 |a muse 
909 |a 9780820345680 
910 |a Project Muse EBA All Single Title Collection 
994 |a 92  |b WEL