Jacques Rivette /
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including "Paris nous appartient", "Out 1: Noli me tangere",...
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| Author / Creator: | |
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| Format: | eBook Electronic |
| Language: | English |
| Language notes: | English. |
| Imprint: | Urbana : University of Illinois Press, 2012. |
| Series: | Contemporary film directors.
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| Subjects: | |
| Online Access: | Click here for full text at JSTOR |
Table of Contents:
- Preface and Acknowledgments
- Moving Backstage: The Films of Jacques Rivette
- The Apprentice Years: Aux quatre coins, Le quadrille, Le divertissement, and Le coup du berger
- From Shakespeare to Sartre: Paris nous appartient
- From the Literary Text to the Tableau: La religieuse, Hurlevent, La belle noiseuse, and La belle noiseuse: Divertimento
- A Revolution in Realism, Reflexivity, and Oneiric Reverie: Jean Renoir le patron, L'amour fou, Out 1: Noli me tangere, and Out 1: Spectre
- Sounding Out the Operatic Les files du feu (Duelle and Noroît), Merry-Go-Round, and Le Pont du Nord
- Reenvisioning Genres: Haut has fragile, Jeanne la pucelle, Secret defense, and Va savoir
- An Occult Theatricality: Céline et Julie vont en bateau- Phantom Ladies Over Paris, L'amour par terre, La bande des quatre, Histoire de Marie et Julien
- Returning, Departing: Ne touchez pas la hache and 36 vues du Pic Saint-Loup
- An Interview with Jacques Rivette
- Filmography
- Bibliography
- Index