The ethics of Earth art /

In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite...

Full description

Saved in:
Bibliographic Details
Author / Creator: Boetzkes, Amanda.
Format: eBook Electronic
Language:English
Language notes:English.
Imprint: Minneapolis ; London : University of Minnesota Press, ©2010.
Subjects:
Online Access:Click here for full text at JSTOR
Description
Summary:In a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture.
Since its inception in the 1960s, the earth art movement has sought to make visible the elusive presence of nature. Though most often associated with monumental land-based sculptures, earth art encompasses a wide range of media, from sculpture, body art performances, and installations to photographic interventions, public protest art, and community projects. In The Ethics of Earth Art , Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works' relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work--film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows--earth artists articulate the dilemma of representation that nature presents. Revealing the fundamental difference between the human world and the earth, Boetzkes shows that earth art mediates the sensations of nature while allowing nature itself to remain irreducible to human signification.
Item Description:Print version record.
Physical Description:1 online resource (211 pages) : illustrations
Bibliography:Includes bibliographical references and index.
ISBN:0816673586
1452946450
9780816673582
9781452946450
Author Notes:

Amanda Boetzkes is assistant professor of art and design at the University of Alberta.