The practice of persuasion : paradox and power in art history /
This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon,...
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| Author / Creator: | |
|---|---|
| Formato: | livro electrónico Recurso Electrónico |
| Idioma: | English |
| Imprint: | Ithaca : Cornell University Press, 2001. |
| Assuntos: | |
| Acesso em linha: | Click here for full text at JSTOR |
Sumário:
- Introduction: The Politics of Persuasion
- Ch. 1. Art History's Hegelian Unconscious: Naturalism as Nationalism in the Study of Early Netherlandish Painting
- Ch. 2. History, Fiction, Memory: Riemenschneider and the Dangers of Persuasion
- Ch. 3. Motivating History
- Ch. 4. Perspective, Panofsky, and the Philosophy of History
- Ch. 5. Nostalgia for the Real: The Troubled Relation of Art History to Visual Studies
- Ch. 6. After the Death of the "Death of the Author."