Radical form : modernist abstraction in South America /
"Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquin Torres-Garcia, Tomas Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the ad...
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|Author / Contributor:||Sullivan, Megan A.,|
|Imprint:||New Haven : Yale University Press, |