The underground is massive : how electronic dance music conquered America /
What started as an underground party business--run and dominated by youths and hustlers--grew into the music business's greatest and biggest success. This is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over t...
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| Author / Creator: | |
|---|---|
| Format: | Book |
| Language: | English |
| Edition: | First edition. |
| Imprint: | New York, NY : Dey St., an imprint of William Morrow Publishers, [2015] |
| Subjects: | |
| Online Access: | Contributor biographical information |
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| 050 | 0 | 0 | |a ML3540.5 |b .M38 2015 |
| 100 | 1 | |a Matos, Michaelangelo. |0 https://id.loc.gov/authorities/names/n2003148501 | |
| 245 | 1 | 4 | |a The underground is massive : |b how electronic dance music conquered America / |c Michaelangelo Matos. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York, NY : |b Dey St., an imprint of William Morrow Publishers, |c [2015] | |
| 264 | 4 | |c ©2015. | |
| 300 | |a xvi, 427 pages, 16 unnumbered pages of plates : |b illustrations, portraits ; |c 24 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 505 | 0 | |a The Power Plant (Chicago, Illinois) : early 1983 -- The Music Institute (Detroit, Michigan) : November 24, 1989 -- Stranger than Fiction (Los Angeles, California) : September 7, 1990 -- The Finale of the Gathering + UFOs Are Real (San Francisco, California) : April 11, 1992 -- Grave (Milwaukee, Wisconsin) : October 28, 1992 -- Storm Rave (Staten Island, New York) : December 12, 1992 -- Rave America (Los Angeles, California) : December 31, 1992 -- See the Light Tour (Thirteen North American cities) : October-November 1993 -- Spastik (Detroit, Michigan) : August 8, 1994 -- Even Furthur '96 (Blue River, Wisconsin) : May 24-27, 1996 -- Organic '96 (San Bernardino, California) : June 22, 1996 -- Woodstock '99 (Rome, New York) : July 22-25, 1999 -- Detroit Electronic Music Festival (Detroit, Michigan) : May 26-29, 2000 -- Phuture Phat Hong Kong Phooey (New Orleans, Louisiana) : August 26, 2000 -- Electroclash Festival 2001 (New York City) : October 10, 2001 -- Coachella (Indio, California) : April 29-30, 2006 -- Electric Daisy Carnival (Las Vegas, Nevada) : June 24-26, 2011 -- Random Access Memories (Los Angeles, California) : January 26, 2014. | |
| 504 | |a Includes bibliographical references (pages 401-404) and index. | ||
| 504 | |a Includes "Mixography." | ||
| 520 | |a What started as an underground party business--run and dominated by youths and hustlers--grew into the music business's greatest and biggest success. This is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years--from the black, gay underground clubs of Chicago and Detroit's elite teen-party scene through nineties "electronica" to today's EDM-festival juggernaut, the book takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business--and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it. Through unparalleled insider access to anecdotes, interviews, and history, Michaelangelo Matos demystifies how what once belonged to a devoted audience of casual partiers and diehard dancers has become America's soundtrack of choice and changed the music industry completely. Matos expertly tackles the vast diversity of EDM's musical landscape, its technologically prophetic yet illicit origins, and the path by which underground raves grew into fiercely successful music festivals. Taking in legendary artists from Frankie Knuckles to Moby as well as the biggest names in EDM--Diplo, Skrillex, Deadmau5, David Guetta,Tiësto, and Daft Punk--Matos's deep mix of sources and wide-lens overview of the culture make every chapter a page-turning revelation.--From publisher description. | ||
| 650 | 0 | |a Electronic dance music |z United States |x History and criticism. | |
| 650 | 0 | |a Electronica (Music) |z United States |x History and criticism. | |
| 650 | 0 | |a Techno music |z United States |x History and criticism. | |
| 650 | 7 | |a Techno music. |2 fast |0 https://id.worldcat.org/fast/1144987 | |
| 650 | 7 | |a Electronica (Music) |2 fast |0 https://id.worldcat.org/fast/1765256 | |
| 650 | 7 | |a Electronic dance music. |2 fast |0 https://id.worldcat.org/fast/1160932 | |
| 651 | 7 | |a United States. |2 fast |0 https://id.worldcat.org/fast/1204155 | |
| 856 | 4 | 2 | |z Contributor biographical information |u http://catdir.loc.gov/catdir/enhancements/fy1509/2015563599-b.html |t 0 |
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| 952 | f | f | |p Standard |a Wellesley College |b Main Campus |c Music Library |d Music Library |t 0 |e ML3540.5 .M38 2015 |h Library of Congress classification |i Book |m 35002036383524 |