ON&BY Christian Marclay /
Influencing a whole generation of artists, musicians and theorists, since the late 1970s Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video and installation. Bo...
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Other Authors / Creators: | Marclay, Christian, interviewee. Criqui, Jean-Pierre, editor. |
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Format: | Book |
Language: | English |
Imprint: | London : Whitechapel Gallery ; Cambridge, Massachusetts : The MIT Press, 2014. |
Series: | On & by.
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Subjects: |
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008 | 140319s2014 enk b 001 0 eng | ||
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010 | |a 2014010623 | ||
020 | |a 9780262526616 |q (paperback) |q (alkaline paper) | ||
020 | |a 0262526611 |q (paperback) |q (alkaline paper) | ||
020 | |a 9780854882304 |q (paperback) | ||
020 | |a 0854882308 |q (paperback) | ||
035 | |a (OCoLC)875055911 | ||
040 | |a DLC |b eng |e rda |c DLC |d YDX |d YDXCP |d BTCTA |d BDX |d MYG |d OCLCF |d UKMGB |d ERASA |d WEL | ||
042 | |a pcc | ||
049 | |a WELA | ||
050 | 0 | 0 | |a N6537.M3635 |b A35 2014 |
245 | 0 | 0 | |a ON&BY Christian Marclay / |c edited and introduced by Jean-Pierre Criqui. |
246 | 3 | |a On and by Christian Marclay. | |
246 | 3 | 0 | |a Christian Marclay. |
264 | 1 | |a London : |b Whitechapel Gallery ; |a Cambridge, Massachusetts : |b The MIT Press, |c 2014. | |
300 | |a 239 pages ; |c 21 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a ON&BY. | |
505 | 0 | 0 | |t Introduction : Words without songs / |r Jean-Pierre Criqui -- |t By Christian Marclay. |t Early years : in conversation with Douglas Kahn, 2003 ; |t In conversation with Bice Curiger, 1997 ; |t In conversation with Michael Snow, 2000 ; |t Words and music : in conversation with Jan Estep, 2001 ; |t In conversation with Philip Sherburne, 2005 ; |t In conversation with David Toop, 2008 ; |t In conversation with student at the University of Rennes, 2009 ; |t Herb Alpert's Tijuana brass, Whipped cream and other delights; |t Never the same twice : in conversation with Russell Fergusun, 2010 ; |t Music I've seen : in conversation with Frances Richard, 2013 -- |t On Christian Marclay. |t Christian Marclay / |r Dennis Cooper ; |t Corpse on a pink record cover dancing upside down / |r Wayne Koestenbaum ; |t Aesthetic politics of Christian Marclay's gramophonia / |r Thomas Y. Levin ; |t Jumpcut jockey / |r Rahma Khazam ; |t Performative image, inscribed, even : the fluid sound worlds of Christian Marclay / |r David Toop ; |t Sound effects / |r Tom Morton ; |t World according to Christian Marclay / |r Jean-Pierre Criqui ; |t Christian Marclay's photophonography / |r Clément Chéroux ; |t Sounds of Christmas / |r Rob Young ; |t Breaks / |r Christoph Cox ; |t Image on the run / |r Jean-Pierre Criqui ; |t Clock time / |r Rosalind Krauss ; |t Killing Orson Welles at midnight / |r Zadie Smith ; |t Painting in slang / |r David Toop ; |t Untimely detritus : Christian Marclay's cyanotypes / |r Noam M. Elcott -- |t Selected bibliography and discography. |
504 | |a Includes bibliographical references and index. | ||
520 | 8 | |a Influencing a whole generation of artists, musicians and theorists, since the late 1970s Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video and installation. Born in 1955, Marclay first became internationally known in the 1980s for his sculptures and reassembled readymades generated from evocative materials such as fragmented vinyl records or album covers. His ambitious multi-screen installations such as 'Video Quartet' (2002), 'Crossfire' (2007) and 'The Clock' (2010) have entranced audiences into contemplating the complexities of time and narrative and the role of sound in their experience and representation. Marclay has also collaborated musically with Shelley Hirsch, the Kronos Quartet, Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many others. | |
600 | 1 | 0 | |a Marclay, Christian |x Written works. |
600 | 1 | 0 | |a Marclay, Christian |x Criticism and interpretation. |
600 | 1 | 7 | |a Marclay, Christian. |2 fast |0 https://id.worldcat.org/fast/281709 |
650 | 7 | |a Criticism and interpretation. |2 fast |0 https://id.worldcat.org/fast/1198648 | |
700 | 1 | |a Marclay, Christian, |0 https://id.loc.gov/authorities/names/nr91004686 |e interviewee. | |
700 | 1 | |a Criqui, Jean-Pierre, |0 https://id.loc.gov/authorities/names/no96065296 |e editor. | |
830 | 0 | |a On & by. |0 https://id.loc.gov/authorities/names/no2014011552 | |
907 | |a .b36490878 | ||
910 | |a FOLIO2022 | ||
915 | |a MARCIVE 2023 | ||
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952 | f | f | |p Standard |a Wellesley College |b Main Campus |c Art Library |d Art Library |t 0 |e N6537.M3635 A35 2014 |h Library of Congress classification |i Book |m 35002035312698 |