Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists /
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Other Authors / Creators: | Fields, Jill, 1954- |
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Format: | Book |
Language: | English |
Imprint: | New York : Routledge, 2012. |
Series: | New directions in American history.
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Table of Contents:
- Introduction
- Section I. Emerging-Views from the Periphery
- 1. Gail Levin, Feminist Class, edited by Melissa Morris
- 2. Laura Meyer and Faith Wilding, Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy
- 3. Nancy Youdelman and Karen LeCocq, Reflections on the First Feminist Art Program
- 4. Moira Roth, Interview with Suzanne Lacy, edited by Laura Meyer
- 5. Paula Harper,The First Feminist Art Program: A View from the 1980s
- 6. Judy Chicago, Feminist Art Education: Made in California
- Section II. Re-Centering-Theory and Practice
- 7. Valerie Smith, Abundant Evidence: Black Women Artists of the 1960s and 1970s
- 8. Jennie Klein, 'Teaching to Transgress:' Rita Yokoi and the Fresno Feminist Art Program
- 9. Lillian Faderman, Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno
- 10. Phranc, "Your Vagina Smells Fine Now Naturally"
- 11. Terezita Romo, Collective History: Las Mujeres Muralistas
- 12. Joanna Gardner-Huggett, The Woman's Art Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979)
- 13. Gloria Orenstein, Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture
- 14. Katie Cercone, The New York Feminist Art Institute, 1979-1990
- 15. Nancy Azara and Darla Bjork, Our Journey to the New York Feminist Art Institute
- Section III. Picturing: Transformation
- 16. Sylvia Savala, How I Became a Chicana Feminist Artist
- 17. Lydia Nakashima Degarrod, Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present
- 18. Miriam Schaer, Notes of a Dubious Daughter: My Unfinished Journey Towards Feminism
- 19. Tressa Berman and Nancy Mithlo, 'The Way Things Are:' Curating Place as Feminist Practice in American Indian Women's Art"
- 20. Ying-Ying Chien, Marginal Discourse and Pacific Rim Women's Art
- 21. Jo Anna Isaak, Gaia Cianfanelli and Caterina Iaquinta, Curatorial Practice as Collaboration in the U.S. and Italy
- 22. Beverly Naidus, Feminist Activist Art Pedagogy