Islamic chinoiserie : the art of Mongol Iran /
"The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Cent...
Saved in:
| Author / Creator: | |
|---|---|
| Author / Contributor: | Kadoi, Yuka. |
| Format: | Book |
| Language: | English |
| Imprint: | Edinburgh : Edinburgh University Press, [2009] |
| Series: | Edinburgh studies in Islamic art.
|
| Subjects: | |
| Retention: | Retained for Eastern Academic Scholars' Trust (EAST) http://eastlibraries.org/retained-materials |
| Summary: | "The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran. This illustrated book offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages." -- Book jacket. Winner of Honourable Mention, Saidi-Sirjani Book Award 2008-9, International Society for Iranian Studies<br> <br> The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central<br> Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran. This illustrated book offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial<br> arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the<br> artistic diversity of Islamic art in the Middle Ages. |
|---|---|
| Physical Description: | xvii, 286 pages : illustrations (some color) ; 26 cm. |
| Bibliography: | Includes bibliographical references (pages [239]-277) and index. |
| ISBN: | 9780748635825 0748635823 |
| Author Notes: |