Making art history : a changing discipline and its institutions /

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Bibliographic Details
Other Authors / Creators:Mansfield, Elizabeth, 1965-
Format: Book
Imprint: New York ; London : Routledge, 2007.
Retention:Retained for Eastern Academic Scholars' Trust (EAST)
Online Access:Table of contents only
Table of Contents:
  • Part I. Border Patrols: Art History as Identity Introduction
  • Chapter 1. "The Call of the Canon: Why Art History Cannot Do Without"
  • Chapter 2. "From the Prophet to Postmodernism? Geopolitics, the Canon and the End of Islamic Art
  • Chapter 3. "Turning Green into Black, Or How I Learned to Live with the Canon"
  • Chapter 4. "What's In a Name?: 'Flanders,' Language and the Historiography of Late Medieval Art in Belgium since Federalization"
  • Part II. The Subjects of Art History Introduction
  • Chapter 5. "Art History's Present Tense"
  • Charpter 6. "The Totality of Form: S.J. Freedberg's Criticism and Clement Greenberg's History
  • Chapter 7. "Unmaking Art History"
  • Chapter 8. "Rhetoric and Motive in Art History: A Shapeshifter's Perspective"
  • Part III. Instituting Art History Introduction
  • Chapter 9. "On the Institution of Limits"
  • Chapter 10. "Remaking Art History: Working Wonder in the University's Ruins"
  • Chapter 11. "Deep Innovation and Mere Eccentricity in Islamic Art History
  • Chapter 12. "Art, Science, and Evolution"
  • Part IV. Old Masters, New Institutions: Art History and the Museum Introduction
  • Chapter 13. "Figuring the Origins of the Modern at the Fin de Siecle: The Trope of the Pathetic Male"
  • Chapter 14. "Re-Imagining Meaning in the Contemporary Museum: From Things That Go Beep in the Case to the Artist Ex Machina"
  • Chapter 15. "(Con)Testing Resources"