History of Japanese art /
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| Author / Creator: | |
|---|---|
| Other Authors / Creators: | |
| Author / Contributor: | Mason, Penelope E., |
| Format: | Book |
| Language: | English |
| Edition: | 2nd ed. |
| Imprint: | Upper Saddle River, NJ : Prentice Hall, 2004. |
| Subjects: |
Table of Contents:
- Preface
- Middle Jomon (c. 2500-1500 B.C.E.) phase
- Rakucha Rakugai
- Decorative and Applied Arts
- Armor and Lacquerware
- Textiles
- Ceramics
- Literary and Calligraphic Arts of the Imperial Court
- Emakimono of the Medieval Period
- The Rebuilding of Todaiji and Kofukuji
- The Kei School of Sc
- Late (c.1500-1000 B.C.E.) and Final Jomon (c. 1000-400 B.C.E.) phases
- The Yayoi Period (c. 400 B.C.E.-300 C.E.)
- The Three Sacred Treasures
- Dotaku
- Ceramics
- The Kofun Period (300-710 C.E.)
- Haniwa
- Mirrors
- Other Grave Goods
- Map of Japan
- Ornamented Tombs
- 2. Imperial Models
- The Impact of China and Buddhisni ofro Japan
- Centralization of Power
- Beginnings of a Metropolitan Court Culture
- The Creation of an Imperial City
- The Introduction of Writing
- Silk Roads to Japan
- Decorative Arts (sixth to eighth centuries)
- Shinto
- 1. The Birth of Japan
- Shinto Architecture
- Buddhism
- Buddhism's Introduction to Japan
- Architecture
- Horyuji
- Yakushiji
- Kofukuji
- Todaiji: The Nation's Temple
- Toshodaiji
- Tori Busshi and Asuka-Period Sculpture (552-645)
- The Neolithic Jomon and the Protohistoric
- Asuka Painting: The Tamamushi Shrine
- Hakuho Sculpture: Horyuji
- Hakuho Painting
- HakuhM Sculpture: Yakushiji
- Early Nara Sculpture and Painting
- Mid-Nara Sculpture: Todaiji
- Dry-Lacquer and Clay Sculpture
- Arts of the Late-Nara Period
- 3. Capital of Peace and Tranquillity
- The Heian Period anti the Caning of Age of a Native Aesthetic
- Yayoi and Kofun Periods
- Overbearing Monks and Vengeful Ghosts
- Early Heian Period
- Middle Heian or Fujiwara Period
- Late Heian or Insei Period
- Rebellion
- The Arts in the Late Heian Period
- Heian and the Imperial Palace
- Life at Court
- Shinden
- Interior Decoration
- Out of Myth and into the Archaeological Record
- Gardens
- Literature and Calligraphy
- Poetry
- Women of Letters
- The Rise of Yamato-e
- Emakimono and Papermaking
- Emakimono
- The Genji Monagatari emaki
- The Choju jinbutsu
- The Shigisan engi emaki
- The Jomon Period (c. 11,000-400 B.C.E.)
- The Ban Dainagon ekotoba
- Buddhist Arts
- Buddhism of the Tendai and Shingon Schools
- Shingon Architecture
- Shingon Mandala Paintings
- Early Portrait Painting
- Sculpture
- Temple Architecture
- Jinoji
- Single-Block and Multiple-Block Wood Sculpture
- Incipient (c. 11.0008.000 B.C.E.) and Initial Jomon (c. 8000-5000 B.C.E.) phases
- Muroji
- Daigoji
- Fuda and the Godairiki Bosatsu
- Architecture of the Middle Heian
- The Phoenix Hall
- Independent Raigo Paintings
- Shaka Paintings
- Buddhist Temples of the Late Heian Period
- Joruriji
- Chusonji
- Early Jomon (c. 5000-2500 B.C.E.) phase
- Sanju sangendo
- Late Heian Hanging Scrolls and Illustrated Sutras
- Shinto Arts
- 4. Changing of the Guard
- The Rise of the Samurai and theTwiiight of the Imperial Order
- Cultural Flowering from Chaos and Upheaval
- End of an Epoch: The Hogen, Heiji, and Genpei Wars
- The First Shogun: Minamoto no Yoritomo
- Repairing the Damage: Cultural Revival in the Early Kamakura Period
- Decline into Perpetual Civil War: The Nambokucho and Muromachi Periods