Art in theory, 1900-2000 : an anthology of changing ideas /

Art in theory, 1900-2000 : an anthology of changing ideas /

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Bibliographic Details
Other Authors / Creators:Harrison, Charles, 1942-2009.
Wood, Paul.
Format: Book
Language:English
Edition:Second edition.
Imprint: Malden, MA : Blackwell Pub., 2003.
Subjects:
20th century
Art, Modern > 20th century > Philosophy.
Art, Modern.
Philosophy.
Other uniform title:Art in theory, 1900-1990.
Table of Contents:
  • Preface and Acknowledgements
  • A Note on the Presentation and Editing of Texts.General Introduction.
  • Part I. The Legacy of Symbolism:Introduction
  • 1. Classicism and Originality:Paul Signac: from Eugène Delacroix to Neo-Impressionism 1899.
  • Paul Gauguin: letter to Fontainas 1899.
  • Sigmund Freud: from `On Dreams' 1901.
  • Otto Weininger: from Sex and Character 1903.
  • Max Liebermann: 'Imagination in Painting' 1904.
  • Paul Cézanne: letters to Emile Bernard 1904-06.
  • Rainer Maria Rilke: from Letters on Cézanne 1907.
  • Maurice Denis (intro. Roger Fry): 'Cézanne' 1907.
  • Maurice Denis: 'From Gauguin and Van Gogh to Neo-Classicism' 1909.
  • Julius Meier-Graefe: `The Mediums of Art, Past and Present' 1904.
  • Giorgio de Chirico: `Mystery and Creation' 1913
  • 2. Expression and the Primitive:August Endell: 'The Beauty of Form and Decorative Art' 1897-98.
  • Albert Pinkham Ryder: 'Paragraphs from the Studio of a Recluse' 1905.
  • André Derain: letters to Vlaminck c.1905-1909.
  • Ernst Ludwig Kirchner: programme of Die Brücke 1906.
  • Wilhelm Worringer: from Abstraction and Empathy 1908.
  • Henri Matisse: 'Notes of a Painter' 1908.
  • Roger Fry: 'An Essay in Aesthetics' 1909.
  • Wassily Kandinsky: from Concerning the Spiritual in Art 1911.
  • Wassily Kandinsky: The Cologne Lecture 1914.
  • Franz Marc: 'The "Savages" of Germany' and 'Two Pictures' 1912.
  • August Macke: 'Masks' 1912.
  • Emil Nolde: 'On Primitive Art' 1912.
  • Oscar Kokoschka: 'On the Nature of Visions' 1912.
  • Alexander Shevchenko: 'Neo-Primitivism' 1913.
  • Benedetto Croce: 'What is Art?' 1913.
  • Clive Bell: 'The Aesthetic Hypothesis' 1914.
  • Carl Einstein: 'Negro Sculpture' 1915.
  • Hermann Bahr: from Expressionism 1916.
  • Hans Prinzhorn: from Artistry of the Mentally Ill 1922.
  • Part II. The Idea of the Modern World:Introduction
  • 3. Modernity:Georg Simmel: 'Metropolis and Mental Life' 1902-3.
  • Max Weber: 'Asceticism and the Spirit of Capitalism' 1904-05.
  • Vladimir Ilyich Lenin: 'Party Organization and Party Literature' 1905.
  • Henri Bergson: from Creative Evolution 1907.
  • Alexander Blok: 'Nature and Culture' 1908.
  • Filippo Tommaso Marinetti: 'The Foundation and Manifesto of Futurism' 1909.
  • Umberto Boccioni et al: 'Futurist Painting: Technical Manifesto' 1910.
  • Robert Delaunay: 'On the Construction of Reality in Pure Painting' 1912.
  • Georgy Valentinovich Plekhanov: from Art and Social Life 1912.
  • Franz Marc: 'Foreword' 1914.
  • Fernand Léger: 'Contemporary Achievements in Painting' 1914.
  • Percy Wyndham Lewis: 'Our Vortex' 1914.
  • Henri Gaudier-Brzeska: 'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska' 1915.
  • Ludwig Meidner: 'Instructions for Painting Pictures of the Metropolis' 1914.
  • Karl Kraus: from 'In These Great Times' 1914.
  • Kasimir Malevich: From Cubism and Futurism to Suprematism: The New Realism in Painting 1915-16
  • 4. Cubism:Jean Metzinger: 'Note on Painting' 1910.
  • Guillaume Apollinaire: 'The Cubists' 1911.
  • Guillaume Apollinaire: 'On the Subject in Modern Painting' 1912.
  • Guillaume Apollinaire: 'The New Painting: Art Notes' 1912.
  • Guillaume Apollinaire: from The Cubist Painters 1912.
  • Jacques Rivière: 'Present Tendencies in Painting' 1912.
  • Albert Gleizes
  • Fernand Léger: 'The Origins of Painting and its Representational Value' 1913.
  • Olga Rozanova: 'The Bases of the New Creation' 1913.
  • Daniel-Henry Kahnweiler: from The Rise of Cubism 1916-20.
  • Georges Braque: 'Thoughts on Painting' 1917.
  • Pablo Picasso: 'Picasso Speaks' 1923.
  • Part III. Rationalization and Transformation:Introduction
  • 5. Neo-Classicism and the Call to Order:Amédée Ozenfant: 'Notes on Cubism' 1916.
  • Guillaume Apollinaire: 'The New Spirit and the Poets' 1918.
  • Oswald Spengler: from The Decline of the West 1918.
  • Carlo Carrà: 'Our Antiquity' 1916-18.
  • Léonce Rosenberg: 'Tradition and Cubism' 1

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