Great twentieth-century violin concertos /

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Bibliographic Details
Other Authors / Creators:Sibelius, Jean, 1865-1957. Concerto, violin, orchestra, op. 47,
Glazunov, Aleksandr Konstantinovich, 1865-1936. Concertos, violin, orchestra, op. 82,
Elgar, Edward, 1857-1934. Concertos, violin, orchestra, op. 61,
Format: Musical Score
Imprint: New York : Dover, 1995.
Subjects:
Description
Summary:

This volume contains the original full scores of three of the most popular modern violin concertos. Included are Sibelius's Violin Concerto in D Minor, Op. 47 -- among the most played and recorded of all violin concertos; Elgar's Violin Concerto in B Minor, Op. 61, a ravishing combination of bravura and sweetness; and Glazunov's Violin Concerto in A Minor, Op. 82, a masterpiece of lyricism and virtuosity that is considered one of the composer's finest works.
Reproduced from authoritative European and Russian editions, all three scores are now available in this inexpensive one-volume score, enabling musicians and music lovers to study and enjoy three classics of the violin repertoire.

Item Description:Reprint (1st work). Originally published: Berlin : Schlesinger (Robert Lienau), [1905?]
Reprint (2nd work). Originally published: Leipzig : M.P. Belaieff, 1905.
Reprint (3rd work). Originally published: London : Novello, 1910.
Physical Description:1 score (235 pages) ; 31 cm
ISBN:0486285707
Author Notes:Finnish composer Jean Sibelius personified Finnish nationalism and, through his involvement with Norse mythology and nature, heavily influenced the development of Scandinavian music. Sibelius studied in Helsinki, Berlin, and Vienna, returning to Finland in the early 1890s to compose the Kullervo Symphony (1892), based on the Finnish epic Kalevala. Shortly thereafter, Sibelius wrote En Saga, or "a legend," one of his most remarkable pieces. Finlandia (1899) became the musical symbol of Finland in the wars and political struggles with Germany and the Soviet Union. Sibelius ceased to compose music after 1927. His symphonies and tone poems are heard frequently and are valued for their unique sonorities and formal logic. (Bowker Author Biography)