Art in theory, 1648-1815 : an anthology of changing ideas /

Tallennettuna:
Bibliografiset tiedot
Other Authors / Creators:Harrison, Charles, 1942-2009.
Wood, Paul.
Gaiger, Jason.
Aineistotyyppi: Kirja
Kieli:English
Imprint: Oxford, UK ; Malden, Mass. : Blackwell, 2000.
Aiheet:
Sisällysluettelo:
  • Acknowledgements
  • A Note on the Presentation and Editing of Texts
  • General Introduction
  • Part I. Establishing the Place of Art
  • Introduction
  • 1. Ancients and Moderns
  • 1. From The Painting of the Ancients 1637
  • 2. Letter to Junius 1637
  • 3. From The Art of Painting, its Antiquity and Greatness 1649
  • 4. Dedication to Constantijn Huygens from Icones I 1660
  • 5. From Painting Illustrated in Three Dialogues 1685
  • 6. 'A Digression on the Ancients and the Moderns' 1688
  • 7. Preface and 'Second Dialogue' from Parallel of the Ancients and Moderns 1688
  • 8. From Reflections upon Ancient and Modern Learning 1694
  • 2. The Academy: Systems and Principles
  • 9. Letters to Chantelou and to Chambray 1647/1665
  • 10. Observations on Painting c. 1660-5
  • 11. Recollections of Poussin 1662-1685
  • 12. Petition to the King and to the Lords of his Council 1648
  • 13. Statutes and Regulations of the Acadeacute;mie Royale de Peinture et de Sculpture 1648
  • 14. From An Idea of the Perfection of Painting 1662
  • 15. Letter to Poussin c. 1665
  • 16. 'The Idea of the Painter, Sculptor and Architect' 1664
  • 17. From Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666
  • 18. Preface to Seven Conferences 1667
  • 19. 'First Conference' 1667
  • 20. 'Second Conference' 1667
  • 21. 'Sixth Conference' 1667
  • 22. 'Conference on Expression' 1668
  • 23. Table of Precepts: Expression 1680
  • 3. Form and Colour
  • 24. 'De Imitatione Statuorum', before 1640
  • 25. From The Microcosm of Painting 1657
  • 26. From 'Diary of the Cavaliere Bernini's Visit to France' 1665
  • 27. From De Arte Graphica 1667
  • 28. 'Remarks on De Arte Graphica' 1668
  • 29. From The Rich Mines of Venetian Painting 1676
  • 30. 'Conference on Titian's Virgin and Child with St John' 1671
  • 31. 'Conference on the Merits of Colour' 1671
  • 32. 'Thoughts on M. Blanchard's Discourse on the Merits of Colour' 1672
  • 33. From Dialogue upon Colouring 1673
  • 34. From Practical Discourse on the Most Noble Art of Painting c. 1675
  • 35. From The Antiquity of the Art of Painting c. 1690
  • 4. The 'je ne sais quoi':.36. From The Hero 1637
  • 37. From The Art of Worldly Wisdom 1647
  • 38. 'Answer to Davenant's Preface to Gondibert' 1650
  • 39. From Fire in the Bush and The Law of Freedom in a Platform 1650/2
  • 40. From Penseacute;es c.1654-1662
  • 41. On Grace and Beauty from Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666
  • 42. From The Conversations of Aristo and Eugene 1671
  • 43. From A Compleat Body of Divinity 1689/1701
  • 44. On Art and Beauty, Before 1716
  • 5. Practical Resources
  • 45. From Miniatura; or The Art of Limning, Revised 1648
  • 46. On Rembrandt and Jan Lievens c.1630
  • 47. Letters to Constantijn Huygens 1636-9