The wonders of creation and the singularities of painting a study of the Ilkhanid London Qazvīnī /

"The subject of this book is the so-called London Qazvīnī, an early 14th-century illustrated Arabic copy of al-Qazvīnī's The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of thi...

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Bibliographic Details
Author / Creator: Carboni, Stefano (Author)
Format: Electronic eBook
Language:English
Imprint: Edinburgh : Edinburgh University Press, [2015]
Series:Edinburgh studies in Islamic art.
Subjects:
Online Access:Available in ProQuest Ebook Central - Academic Complete.
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020 |z 9781474461399 
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050 0 0 |a ND3399.Q23  |b C37 2015 
100 1 |a Carboni, Stefano,  |e author. 
245 1 4 |a The wonders of creation and the singularities of painting  |h [electronic resource] :  |b a study of the Ilkhanid London Qazvīnī /  |c Stefano Carboni. 
246 3 0 |a Study of the Ilkhanid London Qazvīnī 
246 2 |a The wonders of creation and the singularities of painting : a study of the Ilkhanid London Qazvīnī 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2015] 
490 1 |a Edinburgh studies in Islamic art 
500 |a Outgrowth of the author's thesis (doctoral--University of London, 1992) under the title: Wonders of creation and the singularities of Ilkhanid painting. 
504 |a Includes bibliographical references (pages 400-421) and index. 
520 |a "The subject of this book is the so-called London Qazvīnī, an early 14th-century illustrated Arabic copy of al-Qazvīnī's The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the London Qazvīnī is lavishly illustrated, with 368 extant paintings out of the estimated original ca. 520. Its large format, ambitious illustrative cycle and the fine quality of many of the illustrations suggest that the atelier where it was produced must have been well-established and able to attract craftsmen from different parts of the Ilkhanid area. It also suggests that its patron was wealthy and curious about scientific, encyclopedic and 'ajā'ib literature, and keen to experiment with the illustration of new texts like this work, which had been composed by the author only two or three decades earlier. The only centre that was capable of gathering such artistic influences ranging from Anatolia to Mesopotamia appears to have been Mosul. The London Qazvīnī is an important newly surfaced document for the study of early illustrated Arabic copies of this text, representing the second earliest known surviving manuscript, as well as for the study of Ilkhanid painting. In a single and unique manuscript are gathered earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspirations, the latest changes brought about after the advent of the Mongols, and a number of illustrations of extraordinary subjects which escape a proper classification." -- Publisher's website 
600 1 0 |a Qazwīnī, Zakarīyā ibn Muḥammad,  |d approximately 1203-1283.  |t ʻAjāʼib al-makhlūqāt  |v Illustrations. 
610 2 0 |a British Library. 
630 0 0 |a London Qazvīnī  |v Illustrations. 
650 0 |a Islamic illumination of books and manuscripts. 
650 0 |a Illumination of books and manuscripts, Ilkhanid. 
650 0 |a Illumination of books and manuscripts  |z Arab countries. 
650 0 |a Cosmography  |v Early works to 1800. 
773 0 |t ProQuest Ebook Central - Academic Complete   |d ProQuest Info & Learning Co 
776 1 |t The wonders of creation and the singularities of painting  |w (OCoLC)ocn919015993  |w (DLC)2015487459 
830 0 |a Edinburgh studies in Islamic art. 
856 4 0 |3 Full text available  |z Available in ProQuest Ebook Central - Academic Complete.  |u https://ezproxy.wellesley.edu/login?url=https://ebookcentral.proquest.com/lib/well/detail.action?docID=6141474