The Berlin School and its global contexts a transnational art cinema /
"The Berlin School and Its Global Contexts: A Transnational Art-Cinema' came about in light of the Museum of Modern Art (MOMA)'s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany's most important contempor...
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Other Authors / Creators: | Abel, Marco, editor. Fisher, Jaimey, editor. |
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Format: | Electronic eBook |
Language: | English |
Imprint: | ©2018 |
Series: | Contemporary approaches to film and media series.
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Subjects: | |
Online Access: | Available in ProQuest Ebook Central - Academic Complete. |
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020 | |z 9780814342008 | ||
020 | |z 9780814344903 | ||
020 | |a 9780814342015 (online) | ||
035 | |a (OCoLC)on1001337288 | ||
035 | |a (EBZ)ebs17069651e | ||
040 | |a YDX |b eng |d EBZ | ||
042 | |a lccopycat | ||
050 | 0 | 0 | |a PN1993.5.G3 |b B385 2018 |
245 | 0 | 4 | |a The Berlin School and its global contexts |h [electronic resource] : |b a transnational art cinema / |c edited by Marco Abel and Jaimey Fisher. |
246 | 3 | 0 | |a Transnational art cinema |
246 | 2 | |a The Berlin School and Its Global Contexts: A Transnational Art Cinema | |
264 | 4 | |c ©2018 | |
264 | 1 | |a Detroit, Michigan : |b Wayne State University Press, |c [2018] | |
490 | 1 | |a Contemporary approaches to film and media series | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |g Machine generated contents note: |g 1. |t The Berlin School and Women's Cinema / |r Hester Baer -- |g 2. |t Gender, Genre, and the (Im)Possibilities of Romantic Love in Derek Cianfrance's Blue Valentine (2010) and Maren Ade's Everyone Else (2009) / |r Lisa Haegele -- |g 3. |t Countercinematic Reflections and Non/National Strategies: New Austrian Film and the Berlin School / |r Robert Dassanowsky -- |g 4. |t "Life Is Full of Difficult Decisions": Imaging Struggle in Henner Winckler's Lucy and Kelly Reichardt's Wendy and Lucy / |r Will Feeh -- |g 5. |t Cinema as Digest, Cinema as Digesture. Corneliu Porumboiu's Metabolism (2013) and the Cinema of the Berlin School / |r Alice Bardan -- |g 6. |t No Place Is Home: Christian Petzold, the Berlin School, and Nuri Bilge Ceylan / |r Ira Jaffe -- |g 7. |t The Forces of the Milieu: Angela Schanelec's Marseille and the Heritage of Michelangelo Antonioni / |r Inga Pollmann -- |g 8. |t New Global Waves: Abbas Kiarostami and the Berlin School / |r Roger F. Cook -- |g 9. |t Bifurcated Time: Ulrich Kohler / Apichatpong Weerasethakul / |r Michael Sicinski -- |g 10. |t East of Berlin: Berlin School Filmmaking and the Aesthetics of Blandness / |r Lutz Koepnick -- |g 11. |t Politics in, and of, the Berlin School: Terrorism, Refusal, and Inertia / |r Chris Homewood -- |g 12. |t Running Images in Benjamin Heisenberg's Films: A French Connection / |r Brad Prager -- |g 13. |t Ghosts at an Early Age: Youth, Labor, and the Intensified Body in the Work of Christian Petzold and the Dardennes / |r Jaimey Fisher -- |g 14. |t The Making of Now: New Wave Cinema in Berlin and Buenos Aires / |r Gerd Gemunden -- |g 15. |t Toward an Aesthetics ofWorldlessness: Bela Tarr and the Berlin School / |r Roland Vegso. |
520 | 8 | |a "The Berlin School and Its Global Contexts: A Transnational Art-Cinema' came about in light of the Museum of Modern Art (MOMA)'s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany's most important contemporary filmmaking movement. Christoph Hochhäusler, the movement's keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School."--Provided by publisher. | |
650 | 0 | |a Motion pictures |z Germany |x History |y 21st century. | |
650 | 0 | |a Motion pictures |x German influences. | |
650 | 0 | |a Motion pictures |z Germany |z Berlin. | |
650 | 0 | |a Motion picture authorship |z Germany |z Berlin. | |
650 | 7 | |a Motion picture authorship. |2 fast |0 (OCoLC)fst01027122 | |
650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
650 | 7 | |a Motion pictures |x German influences. |2 fast |0 (OCoLC)fst01027328 | |
651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
651 | 7 | |a Germany |z Berlin. |2 fast |0 (OCoLC)fst01204829 | |
655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
700 | 1 | |a Abel, Marco, |e editor. | |
700 | 1 | |a Fisher, Jaimey, |e editor. | |
773 | 0 | |t ProQuest Ebook Central - Academic Complete |d Proquest Info & Learning Co | |
776 | 1 | |t The Berlin School and its global contexts |w (OCoLC)on1001337288 |w (DLC)2018932938 | |
830 | 0 | |a Contemporary approaches to film and media series. | |
856 | 4 | 0 | |3 Full text available |z Available in ProQuest Ebook Central - Academic Complete. |u https://ezproxy.wellesley.edu/login?url=https://ebookcentral.proquest.com/lib/well/detail.action?docID=5406193 |