The Arts Therapies : A Revolution in Healthcare.

This fully updated new edition of The Arts Therapies provides, in one volume, a guide to the arts therapies, the different disciplines and their current practice and thinking in different parts of the world.

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Bibliographic Details
Author / Creator: Jones, Phil.
Format: eBook Electronic
Language:English
Edition:2nd ed.
Imprint: Milton : Taylor & Francis Group, 2020.
Subjects:
Local Note:Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Online Access:Click to View
Table of Contents:
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • Dedication
  • Contents
  • PREFACE
  • PART I Introductions
  • Chapter 1 An introduction to The Arts Therapies: ten snapshots from the book
  • PART II The arts therapies: definitions and developments
  • Chapter 2 Definitions in flux: contexts and aims
  • Introduction
  • Arriving at definitions
  • Settings and contexts: an overview
  • Different modalities
  • Chapter 3 What is art therapy?
  • Definitions
  • Aims of art therapy
  • Chapter 4 What is music therapy?
  • Definitions
  • Aims of music therapy
  • Chapter 5 What is dramatherapy?
  • Definitions
  • Aims of dramatherapy
  • Chapter 6 What is dance movement therapy?
  • Definitions
  • Aims of dance movement therapy
  • Chapter 7 Between the arts therapies
  • Introduction: differences and similarities
  • How different is different? How similar is similar?
  • Arts therapies and arts in health
  • Professional identity
  • Conclusion: from definition to exploration
  • PART III Backgrounds, histories and encounters: from the first happening to the shadow of logic
  • Chapter 8 From the first happening
  • Introduction: different histories
  • Focus on Research: music therapy and Nigeria
  • Interview with Charles O. Aluede
  • The first happening and Black Mountain College
  • Theatre Piece No. 1
  • Conclusion
  • Chapter 9 'Everything is ripe'
  • Introduction: many places
  • Conference of the Society for Music Therapy and Remedial Music, 1960
  • Transitions
  • Professions
  • Interview with Ka Kit Lai, Amber Chan Hiu Wing, Adeline Chan Ling Hin and Fontane Yiu
  • Conclusion
  • Chapter 10 Art and science: the rise of the medical model and the shadow of logic
  • Introduction: opposites attracting?
  • Kinds of dialogue
  • Shadow of logic ?
  • Conclusion: revolution or collusion?
  • PART IV Agents of transformation: arts, therapy, play.
  • Chapter 11 The arts in the arts therapies
  • Introduction: arts and therapy
  • Situating the arts in the arts therapies
  • Starting out
  • Therapeutic improvisation
  • Creation of an arts space
  • Case examples
  • Focus on Research: dialogue with new arts languages and cultures
  • Interview with Nancy C. Choe
  • Forms for feeling: improvisation and culture
  • The art form and the triangle
  • Experience of the client and meaning
  • Expressive forms of the arts
  • Does the art form matter?
  • Conclusion
  • Chapter 12 The sensuous encounter: the arts therapies and the unconscious
  • Introduction: the unconscious - definitions and encounters
  • Analytic perspective
  • Artists and the unconscious
  • The dynamic unconscious
  • How do the arts therapies position the unconscious?
  • Arts therapies practice and the unconscious
  • A particular messenger: uncloaking, excavation and the unconscious
  • Arts process and non-verbal experience
  • Emotional encounter
  • Dynamic relationship
  • Play space and the unconscious
  • A dictionary of the unconscious?
  • Focus on Research: art therapy
  • Interview with Josée Leclerc
  • Conclusion
  • Chapter 13 Playing, development and change
  • Introduction: definitions and theories of play
  • What is play?
  • The arts therapies and play
  • The play space
  • Playing and playfulness
  • The play shift
  • Play and development
  • Conclusion
  • Chapter 14 From the triangular relationship to the active witness: core processes in the arts therapies
  • Introduction
  • Artistic projection
  • The triangular relationship
  • Perspective and distance
  • Embodiment
  • Non-verbal experience
  • Play and the playful space
  • The participating artist-therapist
  • Active witnessing
  • Conclusion
  • PART V Client-therapist relationship: paradigms, dialogues and discoveries
  • Chapter 15 Client and arts therapist: dialogues and diversity.
  • Introduction
  • Cultures and contexts
  • Client-therapist transaction
  • Roles of the arts therapist
  • Therapist and client
  • Arts therapy relationships: dialogue and discovery
  • Arts therapists and clients
  • Dialogue with analytic psychotherapy
  • Elizabeth: aims of the dance movement therapy
  • Elizabeth: method and the client-therapist relationship
  • Case example analysis
  • A psychoanalytic framework and the arts therapies: critiques and limitations
  • Dialogue with a developmental approach to therapy
  • Sophie: method and the client-therapist relationship
  • Sophie: aims of the music therapy
  • Case example analysis
  • Developmental approach and the arts therapies: critiques and limitations
  • Dialogue with a mindfulness approach to therapy
  • Focus on Research: the Inhabited Studio
  • Interview with Debra Kalmanowitz and Rainbow Ho
  • The Inhabited Studio: method and the client-therapist relationship
  • Amiin: aims of the therapy
  • Case example analysis
  • Mindfulness and the arts therapies: critiques and limitations
  • Dialogue with different therapeutic paradigms compared
  • Why the diversity?
  • An arts therapies approach versus approaches related to other disciplines
  • Chapter 16 Client and arts therapist: traditions and discoveries
  • Introduction
  • Role of the arts therapist: therapist and client, artist and artist together
  • Traditions, assumptions, discoveries
  • Focus on Research: dance/movement therapy, resilience and recovery
  • Interview with David Alan Harris
  • Focus on Research: long-term music therapy with young adults with severe learning difficulties
  • Interview with Mercedes Pavlicevic
  • Conclusion
  • Chapter 17 Efficacy: what works in the art gallery? What works in the clinic?
  • Introduction
  • What works in the art gallery? What works in the clinic?
  • Approaches, contexts and efficacy.
  • What is looked at and who is looking?
  • The arts therapies and efficacy: flying with two wings?
  • The arts therapies: a range of encounters
  • Ways of working: considering the effects of the arts therapies
  • Example 1: Client voice and an ecosystemic approach: Focus on Research
  • Interview with Kim Dunphy and Tessa Hens
  • Example 2: Art therapy review of pictures
  • Example 3: Randomised control trial
  • Example 4: Collaboration between disciplines: Focus on Research
  • Interview with Daniel Mateos-Moreno and Lidia Atencia-Doña
  • A 'researching eye'?
  • Conclusion
  • Chapter 18 Concluding remarks
  • BIBLIOGRAPHY
  • AUTHOR INDEX
  • SUBJECT INDEX.