Seeing Motion : A History of Visual Perception in Art and Science.
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Author / Creator: | |
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Format: | eBook Electronic |
Language: | English |
Imprint: | Berlin/Boston : De Gruyter, Inc., 2015. |
Series: | Edition Angewandte Ser.
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Subjects: | |
Local Note: | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
Online Access: | Click to View |
Table of Contents:
- Intro
- TABLE OF CONTENTS
- PREFACE: On Theories and Art in Visualizing (Apparent)-Motion
- Acknowledgements
- PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality
- Seeing as a Scientific Topic
- The Beginnings of the Study of Apparent Motion
- An Individual Way of Seeing: Jan Evangelista Purkinje
- The Explanation of an Optical Illusion: Peter Mark Roget
- The First Motion Picture Machine: Joseph Plateau
- The Phenakistoscope or the Stroboscopic Disk
- Inventions with Stroboscopic Effects
- The Talbot-Plateau law of 1834/35
- Gustav Theodor Fechner's Subjective colors
- Four notes on Afterimages
- Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope
- Zöllner's Illusion
- Reflections on Zöllner's Illusion: Wilhelm Filehne
- hermann helmholtz and the new Physiological optics in the nineteenth century
- helmholtz's Experiments on Visual Sensations
- Ernst Brücke: The Advantage of Intermittent Retina Stimuli
- Josef czermak: Thoughts on Speed during Motional Illusions
- The Influence of Psychophysics on Mach's Experiments
- Mach's Series of Experiments on light Stimulus on the Retina
- Mach's Experiments on Sensation of Movement and Afterimages of Movement
- Studies in Movement: The Mach Drum
- Sigmund Exner: Explorations into Kinesthetics, Sensation of Movement and Apparent Motion
- Two Sparks and One Apparent Motion
- Johann Ignaz Hoppe's Attempts at Defining Apparent Motion
- The First Psychological Analyses of Stroboscopic Phenomena (1886)
- James McKeen Cattell: Visual Stimulation in Time
- The First Monograph on the Perception of Movement
- Alfred Borschke and Leo Hescheles: Movement Afterimages and Speed of Movement
- Adolf Szily's Experimental Analysis: Moving Afterimage and Contrasts of Movement
- Szily's Instrument Based Observations.
- Adolf Basler: Memoranda on the Process of Movements of Afterimages
- Vittorio Benussi: From Apparent Motion to Apparent Corporeality
- Stroboscopic Apparent Motion (S-Movement), 1912
- Combinations of Apparent Motion (1918)
- Stereo Kinetics
- Max Wertheimer: The Berlin Gestalt Psychology
- Wertheimer's Phi-Phenomena (1910-1912)
- From Apparent Motion to a Repositioning of Psychology as a Whole
- Application of a Theory for Types of Visual Perception
- Karl Duncker: On Induced Movements
- Herbert Kleint: Simulation of a Tilted Room
- The Inverted Image of the Retina
- George M. Stratton and the Experiment with Inversion Goggles
- Early Experimental Perception Research at the Innsbruck University: Franz Hillebrand, Theodor Erismann, Ivo Kohler
- Theodor Erismann and Ivo Kohler's Goggle Experiment
- Consecutive Experiments with Inversion Goggles after 1955
- Resume of Part I
- PART 2: From the Artistic Transformation to Immateriality
- The Beginnings of Kinetic Art at the Turn of the Twentieth century
- From Schumann/Wertheimer Wheel-Tachistoscope to Duchamp's Readymade Roue de bicyclette (Bicycle Wheel)
- Influence of Perception Research on Art after 1960
- Artistic Research: Alfons Schilling, Jeffrey Shaw, Peter Weibel
- Discerning Participatory capacity and Phenomenological narration: Jeffrey Shaw
- Addiction to new Images: Alfons Schilling
- From Perception Devices to Seeing Machines
- Visual Test Situations between Experiment and Theory: Peter Weibel
- The observation of observation in Peter Weibel's Work
- construction of Imaginary Spaces and observations in Apparent Spaces
- Interactive Images and Dislocation
- Interactive Plasticity in the Virtual Image
- Feedback-Effects
- EPILOG
- APPENDIX
- Endnotes
- References
- Internet sources
- Image credits.