Seeing Motion : A History of Visual Perception in Art and Science.

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Bibliographic Details
Author / Creator: Schuler, Romana Karla.
Format: eBook Electronic
Language:English
Imprint: Berlin/Boston : De Gruyter, Inc., 2015.
Series:Edition Angewandte Ser.
Subjects:
Local Note:Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Online Access:Click to View
Table of Contents:
  • Intro
  • TABLE OF CONTENTS
  • PREFACE: On Theories and Art in Visualizing (Apparent)-Motion
  • Acknowledgements
  • PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality
  • Seeing as a Scientific Topic
  • The Beginnings of the Study of Apparent Motion
  • An Individual Way of Seeing: Jan Evangelista Purkinje
  • The Explanation of an Optical Illusion: Peter Mark Roget
  • The First Motion Picture Machine: Joseph Plateau
  • The Phenakistoscope or the Stroboscopic Disk
  • Inventions with Stroboscopic Effects
  • The Talbot-Plateau law of 1834/35
  • Gustav Theodor Fechner's Subjective colors
  • Four notes on Afterimages
  • Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope
  • Zöllner's Illusion
  • Reflections on Zöllner's Illusion: Wilhelm Filehne
  • hermann helmholtz and the new Physiological optics in the nineteenth century
  • helmholtz's Experiments on Visual Sensations
  • Ernst Brücke: The Advantage of Intermittent Retina Stimuli
  • Josef czermak: Thoughts on Speed during Motional Illusions
  • The Influence of Psychophysics on Mach's Experiments
  • Mach's Series of Experiments on light Stimulus on the Retina
  • Mach's Experiments on Sensation of Movement and Afterimages of Movement
  • Studies in Movement: The Mach Drum
  • Sigmund Exner: Explorations into Kinesthetics, Sensation of Movement and Apparent Motion
  • Two Sparks and One Apparent Motion
  • Johann Ignaz Hoppe's Attempts at Defining Apparent Motion
  • The First Psychological Analyses of Stroboscopic Phenomena (1886)
  • James McKeen Cattell: Visual Stimulation in Time
  • The First Monograph on the Perception of Movement
  • Alfred Borschke and Leo Hescheles: Movement Afterimages and Speed of Movement
  • Adolf Szily's Experimental Analysis: Moving Afterimage and Contrasts of Movement
  • Szily's Instrument Based Observations.
  • Adolf Basler: Memoranda on the Process of Movements of Afterimages
  • Vittorio Benussi: From Apparent Motion to Apparent Corporeality
  • Stroboscopic Apparent Motion (S-Movement), 1912
  • Combinations of Apparent Motion (1918)
  • Stereo Kinetics
  • Max Wertheimer: The Berlin Gestalt Psychology
  • Wertheimer's Phi-Phenomena (1910-1912)
  • From Apparent Motion to a Repositioning of Psychology as a Whole
  • Application of a Theory for Types of Visual Perception
  • Karl Duncker: On Induced Movements
  • Herbert Kleint: Simulation of a Tilted Room
  • The Inverted Image of the Retina
  • George M. Stratton and the Experiment with Inversion Goggles
  • Early Experimental Perception Research at the Innsbruck University: Franz Hillebrand, Theodor Erismann, Ivo Kohler
  • Theodor Erismann and Ivo Kohler's Goggle Experiment
  • Consecutive Experiments with Inversion Goggles after 1955
  • Resume of Part I
  • PART 2: From the Artistic Transformation to Immateriality
  • The Beginnings of Kinetic Art at the Turn of the Twentieth century
  • From Schumann/Wertheimer Wheel-Tachistoscope to Duchamp's Readymade Roue de bicyclette (Bicycle Wheel)
  • Influence of Perception Research on Art after 1960
  • Artistic Research: Alfons Schilling, Jeffrey Shaw, Peter Weibel
  • Discerning Participatory capacity and Phenomenological narration: Jeffrey Shaw
  • Addiction to new Images: Alfons Schilling
  • From Perception Devices to Seeing Machines
  • Visual Test Situations between Experiment and Theory: Peter Weibel
  • The observation of observation in Peter Weibel's Work
  • construction of Imaginary Spaces and observations in Apparent Spaces
  • Interactive Images and Dislocation
  • Interactive Plasticity in the Virtual Image
  • Feedback-Effects
  • EPILOG
  • APPENDIX
  • Endnotes
  • References
  • Internet sources
  • Image credits.