Illuminating in Micrography : The Catalan Micrography MahzorMS Heb 8°6527 in the National Library of Israel.

In Illuminating in Micrography, Dalia-Ruth Halperin analyzes the Catalan Micrography Ma?zor, a fourteenth-century Barcelonan manuscript, in depth revealing the close association between the micrography full-page panel images and the texts used to create them, which reflect a Jewish theosophical-theu...

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Bibliographic Details
Author / Creator: Halperin, Dalia-Ruth.
Format: eBook Electronic
Language:English
Edition:1st ed.
Imprint: Leiden : BRILL, 2013.
Series:The Medieval and Early Modern Iberian World Ser.
Subjects:
Local Note:Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Online Access:Click to View
Table of Contents:
  • Intro
  • Contents
  • Abbreviations
  • A Note on Transliterations and Translations
  • Manuscripts Cited and Their Abbreviations
  • Piyyut: Terms, Translations, and Short Explanations
  • Preface
  • Introduction
  • Chapter One The Art of Micrography and Its Research Methodology
  • The Masorah
  • The Decoration's Forming Text
  • The Artistic Development of Micrography
  • Micrography in the Middle Ages
  • Research Survey
  • Micrography Research Methodology
  • Chapter Two The Manuscript's Material Evidence
  • Codicology
  • Writing Materials and Quire Structure
  • Perforation and Ruling Layout
  • Structural Transparency and Line Management Methods
  • Paleography
  • The Scripts Used in the Mahzor
  • Characteristics of the Scripts
  • Scribe and Micrographer
  • The Characteristics of the Scribe's Writing
  • The Semicursive Script and Its Role in Dating the Mahzor
  • Chapter Three The Text
  • The Liturgical Structure
  • The Decoration Program for the Piyyutim
  • Initial Word Panels
  • Prayer Instructions
  • Captions
  • Marginal Decorations
  • Text Analysis: Rite and Branches
  • Indications of the Mahzor's Place and Date of Production
  • Chapter Four Within the Cultural Milieu: The Scribe's Artistic Sources
  • The Decoration Plan
  • The Scribe's Artistic Sources
  • Artistic Sources from Jewish Art
  • Artistic Sources from Islamic Art
  • Artistic Sources from Latin Art
  • Chapter Five Every Word Counts: Deciphering the Micrography's Text Flow
  • Scribal Copying Snares
  • The "Choreography" of the Micrography
  • Un tour de force: The Virtuosic Choreography of the Micrography
  • The Scribe's Selection of Psalms: Associations between the Text and the Iconography
  • Chapter Six Reading the Image-Envisioning the Word
  • The Marginal Decorations
  • The Full-Page Panels
  • First Quire, First Opening-fols. 2r/1v (pl. I).
  • First Quire, Second Opening-fols. 3r/2v (pl. II)
  • First Quire, Third and Fourth Opening-fols. 4r/3v and 5r/4v (pls. III and IV)
  • First Quire, Fifth Opening-fols. 6r/5v (pl. V)
  • Second Quire, First and Second Opening (Sixth and Seventh in the Cycle)-fols. 8r/7v and fols. 9r/8v (pls. VI and VII)
  • Second Quire, Third Opening (Eighth in the Cycle)-fols. 10r/9v (pl. VIII)
  • Second Quire, Fourth Opening (Ninth in the Cycle)-fols. 11r/10v (pl. IX)
  • Second Quire, Fifth Opening (Tenth in the Cycle)-fols. 12r/11v (pl. X)
  • Second Quire, Sixth Opening (Eleventh in the Cycle)-fols. 13r/12v (pl. XI)
  • Second Quire, Seventh Opening (Twelfth in the Cycle)-fols. 14r/13v (pl. XII)
  • Chapter Seven The Manuscript's Tumultuous Journey through History
  • The Bindings
  • Owners' Hands
  • The First Hand
  • The Second Hand
  • The Third Hand
  • The Fourth Hand
  • The Fifth Hand
  • The Sixth Hand
  • Conclusion
  • Appendix One Index of Piyyutim Used in the Book
  • Appendix Two The Micrography Panels: Text Flow Tables and Diagrams
  • Bibliography
  • Index
  • Plates and Illustrations.